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Nad rukopisy Vaculíkova Českého snáře

100%
Kosák M.
Česká literatura (Czech Literature)
|
2022
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vol. 70
|
issue 5
560-578
EN
The aim of this study is to describe and examine eight typescript variants of Ludvík Vaculík’s novel Czech Dreambook. The analysis is part of the textological preparation for the forthcoming two-volume edition of Czech Dreambook in the Czech Library. It presents hitherto unanalysed and for the most part unknown typescript material, which provides a unique insight into the genesis of the text. The study shows the strategies used by the author in the reworking process and notes the variable extent of the documentary features.
2
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Textová genetika a Kritická hybridní edice

63%
Kosák M., Flaišman J.
Česká literatura (Czech Literature)
|
2020
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vol. 68
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issue 6
697-704
EN
As Critical Hybrid Edition volumes contain an extensive genetic component, they are sometimes characterized within a foreign context as “genetic” editions. The aim of the paper titled Text genetics and the Critical Hybrid Edition is thus to analyse how particular editions based on Critical Hybrid Editions match the criteria set for digital genetic editions. The introduction presents a brief summary of the domestic reception of genetic editions, but the paper’s synopsis for comparing the Critical Hybrid Edition with the digital genetic edition comprises the criteria formulated in a study by Paolo D’Iorio (2010), and also takes into account the way the genetic edition is understood by Dirk van Hulle (2016), or the way genetic digital editions are specifically compiled, e.g. as part of the Nietzsche Source Project or the Samuel Beckett Digital Manuscript Project. The outcome is a sequence of distinctions between the Critical Hybrid Edition and the digital genetic edition concept, as well as a set of possible solutions that might be implemented in forthcoming Critical Hybrid Edition titles.
3
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Třetí ediční stadium vydávání Máje K. H. Máchy

63%
Kosák M., Flaišman J.
Česká literatura (Czech Literature)
|
2018
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vol. 66
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issue 2
182-213
EN
This study examines critical editions of Máj by Karel Hynek Mácha in the period after the discovery of the poem manuscript in 1916. Hence it focuses primarily on publishing procedures in the ten editions (1919-1949) by Karel Janský, while also examining other important parallel editorial undertakings, editions from the previous period and editions that came out after the last critical edition in the Knihovna klasiků series (1959). This exposition focuses primarily on how both prominent Mácha editors set out their conception of the chronology of both primary sources: the first printing (1836) and the poem manuscript. It subsequently analyses which method of working with both sources they developed from this conception, and it focuses on a detailed analysis of the editing proces, i.e. on determining the phenomena which the editors considered to be errors within the text of the poem, their correction and what is known as the linguistic preparation of the text. The study shows developments in the approaches of both editors, the changes in the extent and method both sources were contaminated and in the application of the diplomatic approach, while also following the ongoing application of a methodologically different editing process method, which aimed to modernize and harmonize the published text. This process is observed within the context of the domestic discussion at that time on the extent and method for correcting the texts of the classics. The present description of changes in the text of critical editions of Máj is one of the bases for the forthcoming new edition of the poem in the Hybrid Scholarly Edition.
4
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Motivické a tematické klastry v básnických textech české poezie 19. a počátku 20. století: k novým možnostem využití databáze Česká elektronická knihovna

45%
Kořínková L., Nováková T., Kosák M., Flaišman J., Klouda K.
Česká literatura (Czech Literature)
|
2024
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vol. 72
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issue 2
204-217
EN
The aim of this article is to analyse the possibilities and above all the results of the machine processing of motif and thematic clustering in 19th century poetry, which was performed on a corpus of poems in the Czech Electronic Library full-text database.
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