Our study explores peoples’ visions of surveillance and resistance to surveillance, enabled through communication and digital platforms in Europe. The research involves future scenario development and analysis, which allows us to sketch out future outlooks concerning surveillance/resistance in Europe, examining how these visions reflect the main assumptions, fears and hopes about the future of societies in Europe. The analysis, which is anchored in surveillance studies, shows how the visions of surveillance and resistance are informed by people’s dispositions towards technology, which centre around techno-optimism and techno-pessimism, focusing either on the empowering or liberating forces of technology or on technology’s disabling and destructive power. These dispositions instruct ideas about the futures of Europe, seeing Europe as either a regulator or protector of people’s privacy and freedoms or as a surveillant apparatus, curtailing peoples’ freedom and democratic rights.
The increasing impact of algorithmically driven processes on human societies, which can exacerbate political, economic, and cultural asymmetries, raises questions about reducing human agency by constraining platform structures. We draw on the theoretical concept of algorithmic imaginary, which captures users’ appropriations and ideas of these processes. In this paper, we focus on the dynamics between agency and structure in algorithmic imaginaries regarding the future of digital media platforms in Europe. The paper takes structuration theory as a theoretical starting point and employs methods of futures studies to analyze how the future is constructed in scenarios developed by a diversity of experts participating in a series of workshops. The future scenarios analysis is mapped around four actors, namely platform users, platform corporations, algorithms and institutions. By considering the role of various actors, particularly institutions, and their interdependencies this paper contributes to more balanced conceptualizations of algorithmic imaginaries, which tend to be centered around users’ perspectives.
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