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FOLKLORE TRADITIONS IN CONTEMPORARY EVERYDAY LIFE: BETWEEN CONTINUITY AND (RE)CONSTRUCTION (BASED ON TWO EXAMPLES FROM THE CZECH REPUBLIC)

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Pavlicová M., Uhlíková L.
Slovenský národopis (Slovak Ethnology)
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2014
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vol. 62
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issue 2
163 – 181
EN
Nowadays, ethnology can hardly assert that folklore traditions are only a phenomenon that lives independently in villages as a part of the everyday life of the local inhabitants. The role of folklore, even of that documented largely in different collections, has essentially changed alongside the transformation of the society, the rapprochement between village and town ways of life and the beginning expressions of mass culture. Some expressions have remained a continual part of everyday culture as a residue, some have been transmitted into new environments and contexts, some have been reconstructed, and others significantly stylized or deduced. They were and are a source of inspirations and modern expressions that in many respects take over the functions similar to the original ones. How should we understand folklore traditions in the 21st century and analyse them? The study based on field research dealing with two distinctive expressions (the male solo dance “verbuňk” and male folklore choirs in the Slovácko region) tries to answer this question. The contemporary Czech ethnology classifies both expressions as so-called ethno-cultural traditions. The chosen field probes capture the present situation in one of the folkloristically most distinct ethnographic areas in the Czech Republic, documenting the wealth and diversity of the folklore tradition that just pretend to be continual in many cases – at least it looks like this on the surface.
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Etnografická rajonizace: úvahy nad jejím historickým vývojem a smyslem současné existence

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Drápala D., Pavlicová M.
Národopisná revue (Journal of Ethnology)
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2014
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vol. 24
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issue 3
171 - 188
EN
Nowadays, local culture is understood as an important phenomenon of culture in the society, as an identification factor of local inhabitants, as an important part of a place to live in. In many cases, this is connected, directly or indirectly, with traditional folk culture. This also includes the issue of ethnographic differentiation as well as the definition of ethnographic regions, as these were formed especially in the 19th and at the outset of the 20th centuries and have been declared as a legacy of tradition so far. Significant is the issue of the formation of these regions as well as the development of the cultural environment belonging to them, which is the basis for the reflections in the submitted study: to what extent the general contentions about ethnographic differentiation are valid and what the major impulse for the progress thereof is. Two Moravian ethnographic areas (Slovácko and Moravian Záhoří), which today are an integral part of the map with ethnographic areas, have been chosen to allow a particular view of the given issue. Their genesis and development, however, are not identical. They differ in their territorial extent, distinctiveness, inner differentiation as well as in the intensity of regional consciousness. Both probes try to prove that perception of an ethnographic area can often be a professional stereotype and that it is necessary to come back to the theme of ethnographic regions in new contexts and meanings.
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Národní ústav lidové kultury a Mezinárodní folklorní festival ve Strážnici. (K 60. výročí založení ústavu a 70. výročí konání festivalu)

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Krist J., Pavlicová M.
Národopisná revue (Journal of Ethnology)
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2015
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vol. 25
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issue 4
278 - 291
EN
Since 1946, the biggest folklore festival in the Czech Republic has been organized in the Southern-Moravian town of Strážnice. Since 1956, a professional institution has worked there that deals with research into folk culture and its protection. The institution is called the National Institute of Folk Culture and belongs to the Ministry of Culture at the present. The Institute was established based on the activity of an office which organized the folklore festival, and enlarged to the contemporary estimable size with overlaps to domestic and international cultural and political stage. In general, the Institute’s focus is on intangible cultural heritage at its practical and theoretical levels. The International Folklore Festival Strážnice has evolved from the original Czechoslovak show of folk songs and dances into the dimensions that allow it to rank among big European festivals with different ways of presentation of traditional folk culture. The cooperation between the National Institute of Folk Culture and the International Folklore Festival Strážnice as well as their anniversaries were the reason for this study. The authors also explain social contexts that led to the interest in folk culture and its demonstration in Czechoslovakia and the Czech Republic.
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