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FR
The vampire, represented in various media forms, has always scared or fascinated people. Dracula’s current descendants have become a “consumer good” ; the vampire figure is now displayed for commercial purposes, which are profitable both for publishing houses and television productions. In contemporary children’s literature which blends sentimental and paranormal events, vampires once so scary, shiver in fear in front of some of their counterparts. Fear is no longer the sole privilege of the bloodsuckers’ victims ; novels for young adults are populated with living dead who are no longer the sole embodiment of loathsome otherness. Capable of both loving and suffering, they feel fear like mere mortals. Vampires, once awfully stressful and intimidating characters, now shiver in fear in front of some of their counterparts. This is quite an unprecedented turn of events ! Key words : vampires, fear, novels for teenagers
FR
Les animaux anthropomorphes peuplent la littérature de jeunesse. L’enjeu de ce travail est de mettre en évidence des apports et impacts de ces héros à poils, plumes et écailles auprès d’un jeune lectorat. Selon son âge, celui-ci sera plus ou moins attiré par un certain type d’animal : l’animal compagnon du héros humain, l’animal-héros identificatoire ou l’animal-guide et médiateur susceptible d’aider et d’accompagner l’enfant-lecteur dans sa découverte du monde.
EN
Animals inhabit children’s literature. What is at stake is to explain the reasons for this study by emphasizing what contributions and impacts these furred, feathered or shelled heroes make to a young readership. According to their age, young readers will be more or less attracted by a specific type of animal, the human hero’s animal companion, the identifiable anthropomorphic animal hero or the leading and facilitating one likely to help and accompany them in their discovery of the world.
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