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Mariusz Wilk - włóczęga czy turysta? Wilkowa typologia sposobów podróżowania oraz krytyka konsumeryzmu

100%
Iwańska E.
Przegląd Wschodnioeuropejski
|
2016
|
vol. 1
231-246
EN
The article makes an attempt to comprehend the essence of travel and its representation in the life and works of Mariusz Wilk. The main focus is the reflection on the type of travel in the individual existence of the author of ‘Dom włóczęgi’ and the recognition of Wilk’s writing preferences in the light of selected topics about the types of travelling which have been described on the pages of the northern diaries. Furthermore, I present inspirations of the writers of the travelling literature, i.e. Kenneth White’s works and other literature which describes travelling. In the light of the above consideration, I try to define the essence of Mariusz Wilk’s choice of the places he has chosen to travel across, the individual character of travelling and I am looking for an answer to the question if the writer is in favour of tourism or rambling.
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PISARZ-NOMADA – GEOPOETYCKI NURT W TWÓRCZOŚCI MARIUSZA WILKA

100%
Iwańska E.
Świat Tekstów. Rocznik Słupski
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2016
|
issue 14
117-130
EN
The article encompasses an attempt to frame the idea of nomadism and recreate the geopoetical trend in Mariusz Wilk’s work. As far as the idea of nomadism is concerned, a crucial role is played by ‘the nomad writer’ Kenneth White, the author of La Route Bleue and the creator of the term of ‘intellectual nomadism’. Mariusz Wilk holds Ken-neth White’s work in high regard. While White’s deliberations are an inspiration for the author of Tropami rena. Wilk devotes his attention to other ‘nomad writers’ – Bruce Chatwin, Wasilij Golowanow, Henry Miller, Li Bo and others. In his journals the author of Lotem gęsi analyses the works and attitudes of writers who can be described as ‘the poets of the Road’ because following the Road, as well as pondering over it and writing about it is a significant issue in his work.
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