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Słowo od redaktora

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Berkan-Jabłońska M., Katedra Literatury i Tradycji Romantyzmu U. Ł.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2015
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vol. 27
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issue 1
2
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Juliusz Słowacki zilustrowany w 1909 roku

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Berkan-Jabłońska M., Katedra Literatury i Tradycji Romantyzmu U. Ł.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2011
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vol. 14
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issue 2
EN
This article presents several examples of illustrations inspired by Slowacki’s poetry which were issued in 1909. They are based on four different methods and styles in the art of illustration. The present author discusses the advantages and disadvantages of these paintings, their artistic value and the public’s reception. The focus is also on the mutual connection between the literary work and its artistic interpretation. The analysis shows the difference between the paintings which created an independent vision of Slowacki’s poetry and the popular art, whose main aim was to popularise the works of this romantic author. The paper also raises the question as to which of these trends have existed most in the culture and have proved to be more popular among readers.
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Historia – rzecz ludzka? Tradycja Norwidowska w wierszach Mieczysława Jastruna z lat 1939–1945

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Dakowicz P., Katedra Literatury i Tradycji Romantyzmu U. Ł.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2010
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vol. 13
EN
The article is focused on revealing traces of Norwid’s literary tradition hidden in the poetry of Mieczysław Jastrun written between 1939–1945. For the contemporary, twenty-century’s poetwitness of the Second World War the author of Vade-mecum turned out to be the master of historic maturity. Jastrun – willing to recognize Norwid as the forerunner of modernity and as the poet whose output only nowadays may be interpreted and appreciated in suitable way-used Norwid’s pattern of historical and philosophical reflection trying to face by poetry painful experience of Hitler’s occupation. The article tries to answer the question why Jastrun found suitable manner of expressing both individual as well collective experience particularly in Norwid’s literary output.
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