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During the political “thaw” of 1955−1956 the magazines circulated in the People’s Republic of Poland started to include themes which previously had been banned. One of those focused on the existence of censorship and its activities (Main Office of the Control of Press, Publications and Shows). Jour¬nalists wrote about books banned by the censorship, prohibited publications and black-listed writers, whose books were removed from libraries and destroyed. The situation changed in 1958 when once again writing about the existence and activities of the censorship was fobidden.
EN
The aim of this paper is to present the 1951 dicussion on Czesław Miłosz’s escape from Poland. Wirpsza’s poem, published in January 1951, was dedicated to Czesław Miłosz. It was was commented on in a literary cultural newspaper over the next few months. Miłosz is shown as a deserter and a traitor, who has lost his poetic talent. The analysis of censorship documents shows that instructions for Miłosz’s texts and texts about him must have been issued in May 1951.
EN
The aim of this article is to analyze the reception the book of Stanisław Barańczak about classicism and romanticism in the poetry of the sixties. This book show linguistic trend in Polish poetry. It is important to ask: how distinguished the author by the opposition “dialectical Romanticism” (poetry linguistic) and classicism (inspired by Eliot) influenced subsequent synthesis of critical and what is its impact on subsequent generations of the poets, especially poetry of artists born in the sixties.
EN
In Wojciech Młynarski’s early songs culinary and drinking motives serve both main and secondary functions. There are snacks and soups (one song even gives a recipe for żurek), main courses (different Polish chops and cutlets, Boeuf Stroganoff, etc.), desserts (cakes, loaves, icecream). There are drinks as well (beer, wine, vodka, but also coca-cola). People who sit at a table and eat these dishes are often quite bizarre and strange characters (a supercilious singer, office lovers, weird members of a multigenerational family). The food described in the lyrics is frequently connected with three topics and refers to love, the socio-political realities of a communist country, and tradition. Drinks and beverages presented in various contexts and situations help the songwriter create a portrait of the Polish society.
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