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Übersetzungsstrategien von Grimms Rotkäppchen am Beispiel polnischer Übersetzungen

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EBERHARTER-AKSU M., HINC J.
Glottodidactica
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2019
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vol. 46
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issue 2
39-54
DE
The fairy tales of the Brothers Grimm belong to the best-known literary works of Germany, besides the Luther Bible. They are currently published in 160 languages and have been part of the World Documentary Heritage since June 2005. In Poland, they are known in countless translations, adaptations and retellings, some of which have been greatly modified and adapted for teaching purposes and others are literally based on the original texts. The empirical part of the article refers to an experiment in which 19 subjects were presented with a translation task: to transfer selected passages of Little Red Riding Hood into Polish. In the runup to the study, it was hypothesized that the information about the status of the work as part of the World Document Heritage given to study participants should have an effect on the literal translation. The results of the experiment do not confirm the assumed hypothesis, but clearly show that the translation variants above all have to be seen as a continuation of the individual’s experiences with the fairy tale, which strongly influences that individual’s translation
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Fantastic Literature in Translation and the Degrees of Fear

51%
Balatchi R. N.
Lublin Studies in Modern Languages and Literature
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2020
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vol. 44
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issue 1
DE
Der Artikel enthält das Abstract ausschließlich in englischer und französischer Sprache.
EN
Our article is an analysis of the issue of translating emotions in literary texts on the basis of a corpus which consists of fragments from Maupassant’s fantastic tales translated into Romanian. By means of a comparison of the original with the translated published versions, where we apply methods specific to translation history and criticism, we follow and assess the implications of the translator’s different (subjective) strategies on the lexical and pragmatic level used in order to render the various degrees of fear in the target language. 
FR
Notre article a pour objectif une discussion des particularités de la traduction des émotions dans les textes littéraires, par l’intermédiaire d’une analyse traductologique réalisée sur un corpus de fragments tirés des contes de Maupassant traduits en roumain. En appliquant la méthodologie spécifique à la critique et histoire des traductions, notre analyse comparative du texte original et des diverses traductions roumaines mettra en évidence la place de la subjectivité du traducteur dans l’application des différentes stratégies traductives, sur le plan lexical et pragmatique, pour rendre en langue cible les différents degrés de la peur.
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