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Polské čtenářství v čase digitálních...a jak se o něm přemýšlí

100%
Nieć G., Trávníček J.
Česká literatura (Czech Literature)
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2019
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vol. 67
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issue 1
84-102
EN
This study deals with contemporary Polish reading culture. The authors focus on three areas: (1) research at the National Library, particularly in relation to digital reading; (2) the new Polish Encyclopedia of Books (Encyklopedia książki), a work of colossal size and scope, as well as the state of current thinking on books and their social circulation, which has been fixed for some time; and (3) some individual sources of inspiration from Polish reflections and discussions on reading in the digital age. The authors examine all three areas against the backdrop of the current Czech situation, while endeavouring to ascertain the sociological causes behind the current large decline, and focusing primarily on the substantial reduction in graduates from the 40– population. One part of the study also focuses on digital reading, i.e. on how it is developing and which sectors of the Polish readership it most involves. They conclude that although the Polish readership has succeeded in slightly reducing the internal socio-demographic threshold (i.e. with the operation of progressive internal inclusion), as a whole it is fallinginto social exclusion.
2
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České tištěné Bible 1488-1715 v kontextu domácí knižní kultury

61%
Voit P.
Česká literatura (Czech Literature)
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2013
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vol. 61
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issue 4
477-501
EN
b2_4) The 1506 Venetian Bible and two Severin Bibles (1529 and 1537) had greated influence on the future development of book culture than the "Melantrichs", which as publication copies are only minor innovations, particularly based on the second Severin of 1537. 5) The typographical aspect of the Brethren editions is not original, but draws on Swiss influence. A strongly inspirational and vital role is played by the Kralice edition at the exegetic, translational and linguistic level, but not with regard to its typographic and graphic decorative contribution. In their time these levels did not influence Czech book culture and were only reflected and used for enlightenment purposes much later. 6) The question whether incunabula and pre-1620 bible editions influenced book culture in this country cannot be answered with a clear negative, but it can be answered with a considerable degree of scepticism. In comparison with ordinary book production, however, their geenrally superior graphic standard clearly facilitated the habit of quiet daily reading to a considerable extent.
CS
a2_4) Pro budoucí vývoj knižní kultury měla Bible benátská 1506 a dvě Severinovy bible 1529 a 1537 větší váhu než takzvané melantrišky, které jsou jen drobně inovovanými edičními kopiemi zejména druhého Severinova vydání 1537. 5) Typografická stránka bratrských edicí není původní, ale těží ze švýcarského vlivu. Životná a silně inspirační role kralických vydání spočívá v rovině exegetické, překladatelské a jazykové, nikoli však v přínosu písmařském a graficko dekoračním. Tyto roviny ve své době českou knižní kulturu neovlivnily a byly reflektovány a osvětově využity až mnohem později. 6) Na otázku, zda prvotiskové a předbělohorské edice biblí ovlivnily tuzemskou knižní kulturu, nelze odpovědět přímo negativně, ale spíše s notnou dávkou skepse. Ve srovnání s běžnou knižní produkcí však jejich povětšinou nadstandardní grafická úroveň k návyku tiché každodenní četby přispěla jistě významně.
3
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Minulost a současnost španělského románu-fejetonu

61%
Sánchez J. A.
Slovo a smysl - Word & Sense
|
2017
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vol. 14
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issue 27
75-89
EN
The optimal conditions for the creation of a popular novel occurred in the 19th century. With the influence, first of all, of French literature, there was in Spain a huge production of these works, known in Spanish as ‘folletines’ or folletín novel. Its importance for the study of literature is undeniable. It is possible to detect its legacy in the best Spanish novel between 1870 and 1936, for instance in Benito Pérez Galdós or Pío Baroja. But it is also interesting to compare this folletín novel with the modern best-seller. Similar techniques and conception of what should be a novel are to find in modern bestseller Spanish writers such as Carlos Zafón, Eduardo Mendoza or Arturo Pérez-Reverte. In this article, they are compared with the famous ‘folletinistas’ of the second half of the 19th century: Manuel Fernández y González, Wenceslao Ayguals de Izco, Ramón Ortega y Frías, etc.
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