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Czytanie miasta – idea produktu turystyki literackiej na przykładzie Łodzi

100%
Wawrzyniak M.
Turystyka Kulturowa
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2010
|
issue 3
16-29
EN
Literature and its authors are the inspiration for special literary trips. It is a common phenomenon in the world and the rapidly developing one in Poland. The literary tourism destinations are the places pictured in literary works and the places connected with the author’s life. The literary space and literature are an interesting inspiration for creating tourist cultural product. Reading the city can lead to the discovery of new, often mystical, places. Literary tourism in the world is an important and dynamically developing segment of cultural tourism while in Poland it is a new phenomenon, yet the emerging tourist products are noticeable. The article presents a complex offer of tourist literary products for the city of Łódź. The criteria for the tourist products and the SWOT analysis were also described.
2
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W poszukiwaniu istoty miasta – przez łódzkie podwórka przy ulicy Piotrkowskiej

100%
Orzechowska J.
Turystyka Kulturowa
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2010
|
issue 1
14-44
EN
The article presents tourist values of one group of places in the city scenery: the tenement yards. They are compiled and classified according to different aspects (cognitive, aesthetic and developmental functions). The potential attractiveness of such places is shown in the results of the analysis of the tenement yards tourist perception. The analysis was drawn from the data of empirical research in the representative historical street of Łódź – Piotrkowska Street.
3
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SPRAWA BUDOWY KOŚCIOŁA NA OSIEDLU TEOFILÓW W ŁODZI JAKO PRZYKŁAD POLITYKI WŁADZ PAŃSTWOWYCH WOBEC BUDOWNICTWA SAKRALNEGO W LATACH 1956–1970

100%
Opaliński M.
Meritum – Rocznik Koła Naukowego Doktorantów-Historyków Uniwersytetu Warmińsko-Mazurskiego w Olsztynie
|
2016
|
vol. VIII
327-344
EN
During the communist regime, the Catholic Church surrounded the nascent religious communities with the greatest care. On the other hand, the party rulers’ idea was to stop all the sacral investments and retain only those built before World War II. By giving the example of the church construction in the residential area of Teofilów in Lodz – guided by the Congregation of the Passion of Jesus Christ (the so-called Passionists), the author intended to present the methods used by the municipal authorities of Lodz in 1956–1970 to combat initiatives related to sacral construction. Starting from the arrival to Lodz, the monks began their efforts to build a sacral object. Unfortunately, the hostile position of the authorities has led to 15 years of treatments that aimed to erect a church in newly built residential area. Because of the nationwide process of blocking any sacral investment, the monks were forced to use all sorts of tricks aimed at avoiding building law that discriminated Catholic Church. The first temporary chapel was prepared in a shed that was a tool magazine and the other one was organized in a private house built by the Passionists who posed as lay people. It was the change of policy after the departure from power of Władysław Gomułka in 1970, which led to the permission from the state authorities to build new church in Teofilów. While studying the topic, the author has analyzed mainly documents found in the State Archive in Lodz, the Archive of New Files in Warsaw and the Archdiocesan Archive in Lodz. According to the author, this publication may be a contribution to similar considerations of the issue of church and sacral building in other local church administration units.
4
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Odnajdując i tracąc miejsce. Łódzki underground wobec doświadczenia miejskiej codzienności.

71%
Filanowski B.
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
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2018
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vol. 26
188-202
EN
Finding and losing a place. The Łódź underground against the experience of urban everday life The Łódź underground had emerged from the punk aesthetic, yet it ab- sorbed successive genres surprisingly quickly: hardcore, industrial, later also, among others, techno and rave. It utilized diverse forms of expres- sion: most of all sound, but also projections, site-specific actions, graphic design or fashion. The article, drawing from the memories and output of several most important participants of the movement, poses the ques- tion, in what way the underground so easily absorbed new genres and aesthetic patterns on the one hand, while on the other – it remained so strongly separate. The separation is revealed in the tension between experiencing new, experimenting musical and aesthetic trends, and the overwhelming eve- ryday life of the post-industrial city. This tension was the reason why the underground movement was so intensely performative in its character, in which new knowledge and new inspirations were mostly created in action.
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