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1

Poetyka zapachów w świecie przedstawionym Dmitrija Mierieżkowskiego

100%
Dudek A.
Slavica Wratislaviensia
|
2014
|
vol. 158
137 - 148
EN
Motifs of smells appear to be essential as the far as the structure of the world presented in the works by Dmitry Merezhkovsky is concerned. The writer makes many attempts to define the general features of smells, the way they influence man and the relationship between information being transmitted by means of aromas and the cultural context of transmission. There are two discernible and opposite groups of smells in the works by Merezhkovsky. One of them consists of pleasant olfactory impressions, indicating indirectly the meaning of life and bloom, whereas the other group contains nasty smell impressions connected with death and decay. Motifs of smells perform mnemonic and indentyfying functions in the structure of works being analyzed. Apart from analytically reconstructed principles of immanent poetics of smells, we can come across essays and feature writings with directly worded category of smell transmitting metaphorical senses, typical for concepts of religion, interpretation of Gospel, the style of culture and historiosophy, being fostered by Merezhkovsky. That group of judgements makes apeculiarly formulated poetics of smells. Both systems of poetics of smells reveal close connections with one another.
2

Między determinizmem a prowidencjalizmem. Perspektywa historyczna w dramacie Dymitra Mereżkowskiego Carewicz Aleksy

70%
Sobol A.
Roczniki Humanistyczne
|
2015
|
vol. 63
|
issue 7: Słowianoznawstwo
43-59
PL
W artykule poddano analizie teorię D. Mereżkowskiego, dotyczącą losu jednostki i czynników nadnaturalnych wpływających na życie podmiotów procesu historycznego (determinanty i niezmienność losu człowieka). Omówiono również koncepcje historiozoficzne i estetyczne, ściśle powiązane z pojęciem „dziejowości”: teorię dualizmu (uniwersalna walka przeciwieństw) i świata triady (historia rozumiana jako trzyetapowy proces: Stary, Nowy i Trzeci Testament). W artykule przeanalizowano również motyw rewolucji religijnej, postrzeganej przez pisarza jako przełomowy moment w dziejach ludzkości.
RU
Предметом статьи является анализ концепции Д. Мережковского, касающейся судьбы личности в истории и сверхъестественных факторов, влияющих на жизнь субъектов исторического процесса (детерминанты и инвариантность судьбы человека). Посвящается также внимание историософским и естетическим концепциям Д. Мережковского, связанным с понятием „историчности”: теории дуализма (универсальная борьба противоположностей), триады (история - триединый процесс развития: Ветхий, Новый и Третий Заветы). В статье также обсуждается мотив религиозной революции, понимаемой писателем как переломный момент в истории человечества.
EN
The article focused attention on the analysis of Merezhkovsky’s theory about fate of the people and natural factor and his effect on the life these people – subjects of historical process (determinants and invariance of fate of the people). Discussed also historiosophical and esthetic concepts – connected with historical process: theory of dualism, Triad’s world, ideas The New and The Third Testaments. This article contains analysis the motif of religious revolution as a crucial moment in the history.
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