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PL
Metropolita Suroski Antoni (1914-2003) naucza, iż człowiek już przed poczęciem znajduje się w pewnej relacji z Bogiem; Bóg tworzy człowieka z niebytu do bytu, na swój obraz i podobieństwo, w pełni Boskiej miłości, zobowiązując go do przemiany siebie i otaczającego świata. Historia Starego Testamentu ukazuje proces wzrastania w człowieczeństwie, gdzie grzech przeplata się z Bożą prawdą. Uwieńczeniem tego etapu jest Wcielenie Bożego Syna, które otwiera ludzkości drogę ku wieczności. Autentycznym przykładem dla chrześcijan są święci, którzy poprzez modlitwę i życie duchowe uczą realizacji postawy miłości Boga, siebie i bliźniego. Ostatecznym powołaniem człowieka jest udział w Boskiej naturze.
EN
Reflection of physicality as a philosophical and anthropological category in creativity of the Ukrainian sixties authors cannot be considered in isolation from the spiritual vector as their main goal was creating themselves as a complete “full” persons who updated the physical anthropological markers, like the heart, individual voice and more. The basic invariants of physicality of this literary generation include, in particular, the space physicality description of social life (the social body) language as a “community body” as well as human physicality as a marker of aesthetic that defines the specifics of its artistic image system.
EN
Motifs of smells appear to be essential as the far as the structure of the world presented in the works by Dmitry Merezhkovsky is concerned. The writer makes many attempts to define the general features of smells, the way they influence man and the relationship between information being transmitted by means of aromas and the cultural context of transmission. There are two discernible and opposite groups of smells in the works by Merezhkovsky. One of them consists of pleasant olfactory impressions, indicating indirectly the meaning of life and bloom, whereas the other group contains nasty smell impressions connected with death and decay. Motifs of smells perform mnemonic and indentyfying functions in the structure of works being analyzed. Apart from analytically reconstructed principles of immanent poetics of smells, we can come across essays and feature writings with directly worded category of smell transmitting metaphorical senses, typical for concepts of religion, interpretation of Gospel, the style of culture and historiosophy, being fostered by Merezhkovsky. That group of judgements makes apeculiarly formulated poetics of smells. Both systems of poetics of smells reveal close connections with one another.
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