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The article deals with sound images in the poetics of Olga Grushin’s novel The Dream Life of Sukhanov. The author analyses the role of sound in creating time and space images, types and functions of sound, as well as studies the phenomenon of silence as a universal. Sounds act as mediators between the hero’s past and present, as markers of time and space shifts, and key events of the plot. All these sound functions are connected with the main aim of the writer — to form and shape the spiritual biography of a creative person whose life covers the 1930–1980s.
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