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МУЗЫКАЛЬНО-ТЕАТРАЛЬНАЯ ЖИЗНЬ ПАРИЖА И РАННИЕ ОПЕРЫ Ф. ГАЛЕВИ (20-е годы ХІХ века)

100%

Энская Е.

Ars inter Culturas

2016

issue 5

75-90

The article gives a broad overview of the repertoire of opera theatres of Paris during the twenties of the 19th century, analyzes some of the processes of the opera genre renewal. The creative connections of F. Halévy with the representatives of the theatre world, who played at an early stage a decisive role in the creative destiny of the composer (J. Rossini, J. Pixerecourt, G. Saint-Georges, M. Schlesinger) are revealed. The information on the history and fate of the first operas of F. Halévy Two pavilions, Pygmalion, Herostrat, Craftsman is provided. The composition, the principles of musical characteristics of the characters, the peculiarities of the musical language of Two pavilions and Craftsman are analyzed. The connection of the early works of Halévy with the socio-political life of the country, the general thrust of the development of musical culture of France and new trends that have emerged in the twenties (the development of the genre of lyrical comedy about the lives of ordinary people, the opera about the representatives of different professions, an ap-peal to the provincial cultures) is established.

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1 Ars inter Culturas

1 2017

1 Энская Е.

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МУЗЫКАЛЬНО-ТЕАТРАЛЬНАЯ ЖИЗНЬ ПАРИЖА И РАННИЕ ОПЕРЫ Ф. ГАЛЕВИ (20-е годы ХІХ века)