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SLOVENSKÉ DIVADLO V PROSTREDÍ SPOLOČNOSTI – OD 80. ROKOV 20. STOROČIA PO DNEŠOK

100%
Podmaková D.
Slovenské divadlo (Slovak Theatre)
|
2011
|
vol. 59
|
issue 3
208 – 2017
EN
The paper provides a brief overview of the role of the theatre, its artistic and social functions during the indicated time period. It characterises the relationship between society and a theatre and against, and also the financial issues underlying this bond and the status of the theatre professionals. Through changed socio-political conditions after 1989, new opportunities have opened up to creative professionals who, at the same time, have lost their theme of a tacit revolt against the system and the metaphor as the major tool for naming “no-freedom“, shut-down state borders and for the non-existence of personal prospects. On the one hand, the open European space allows for exposure to new cultures, on the other hand, however, it is conducive to the unification of (self)-themes, of the role of an individual in the family and in society, to the grey mediocrity of quality, and to favouring form over content. Economic and, oftentimes, technocratic thinking would indirectly impact the value system of the theatre arts, its mission in the over-technologized world. The artistic functions of the theatre are bound to be defined and created by creative professionals (this holds provided that critique has a set of criteria applicable both within the theatre arts and vis-à-vis the society). The societal functions ought to be a component part of a knowledge-based society, with special concern for the cultural development of the society.
2

SOCIO-CULTURAL PERIODICALS IN THE 1980s (Czasopisma spoleczno-kulturalne lat osiemdziesiatych XX wieku)

100%
Mielczarek T.
Rocznik Historii Prasy Polskiej
|
2008
|
vol. 11
|
issue 1-2(21-22)
193-232
EN
The article discusses socio-cultural periodicals that were legally published (and censored) in the 1980s. Two periods are clearly distinguishable, with the martial law of 13 December 1981 acting as a dividing line. Beginning from 1982, those periodicals were losing their readership due to the fact that some publicists were banned while others became regular contributors to the underground press or periodicals published abroad. The research was conducted using archival documents from the Archives of New Records (AAN) and OBP RSW reports
3

DVE DISKUSIE O DVOCH SLOBODOVÝCH ROMÁNOCH

75%
Prušková Z.
Slovenská literatúra (Slovak Literature)
|
2013
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vol. 60
|
issue 5
418 – 422
EN
The article written on two discussions of the 1980s is a commentary of the literary-historical changes in that period of time. The author using two novels by the controversial writer Rudolf Sloboda tries to show how critics of the 1980s dealt with their presence in literature. The 1980s were the natural backgrounds for the problem. It is also important to realize how ambiguous they were. What is interesting in this context is the unstated presence of the notions author, subject, author´s subjectivity, authenticity and autobiography in the discussions about Sloboda´s writings. There, in two of the discussions appear names which represent rigid or more moderate criticism. At the same time, they are the accurate reflection of the literary criticism in the 1980s ranging from censorship to self-censorships methods.
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