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ROMÁN THOMASA MANNA „DOKTOR FAUSTUS“ A HUDOBNÁ ESTETIKA THEODORA W. ADORNA

100%
Fulka V.
ESPES
|
2014
|
vol. 3
|
issue 2
14 – 26
EN
Thomas Mann ́s novel “Doktor Faustus. Das Leben des deutschen Tonsetzers Adrian Leverkühn erzählt von seinem Freunde” (1947) is one of the most known literary works of the 20th century. The creation of this novel was closely tied with an encounter of Thomas Mann with a philosopher and musicologist Theodor W. Adorno in their American exile during the World War II. Thomas Mann ́s novel represents literary fiction of Adorno ́s theory of music and musical aesthetics, as found in the study Philosophie der neuen Musik (1949).
2

NEGATÍVNA DIALEKTIKA AKO MODELOVÁ ANALÝZA

86%
Hedžet Tóth C.
Filozofia (Philosophy)
|
2012
|
vol. 67
|
issue 8
618 – 629
EN
The article deals with Adorno’s intention to create a new modified concept of dialectics, i. e. negative dialectics. It concentrates on the model analysis, or rather the models of negative dialectics as developed by Adorno in his Negative Dialectics (1966). While Adorno’s anti system does retain some of the most salient features of the traditional system such as systematicity and encyclopedicity, his philosophical attention shifts from the general to the particular and individual, and even to the fragmentary. It is by employing the model conceived by the negative dialectics as “an ensemble of analyses of models” that it attempts to comprehend the concreteness; in this context, the influence of Kant’s philosophical thought as reflected in Adorno is clearly a salient factor. The concluding part underscores the importance of the methodology in Negative Dialectics, which is far more relevant and decisive than the historic-philosophical aspect in assessing Adorno’s philosophical thought as a whole. Adorno’s philosophy of history is neither exclusivist nor preferential when it comes to understanding his philosophy.
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