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O hodnotovém dualismu

100%
Kulka T.
Estetika: The Central European Journal of Aesthetics
|
2007
|
vol. 44
|
issue 1-4
175-200
EN
The author considers the most interesting arguments and objections, which various scholars have raised against his latest work, 'Art and Forgery: Monism and Dualism in Aesthetics' (Prague, 2004).
2
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Why Aesthetic Value Judgements Cannot Be Justified

100%
Kulka T.
Estetika: The Central European Journal of Aesthetics
|
2009
|
vol. 46
|
issue 1
3-28
EN
The article is part of a longer argument, the gist of which stands in direct opposition to the claim implied by the article's title. The ambition of that larger whole is to offer a theory of art evaluation together with a theoretical model showing how aesthetic value judgements can be inter-subjectively tested and justified. Here the author therefore plays devil's advocate by citing, strengthening, and inventing arguments against the very possibility of justification or explanation of aesthetic judgements. The reason is his conviction that such arguments have not been fully met. The article is thus intended as a challenge: any theory of art evaluation which assumes, or tries to establish, that some works of art are better than others or that aesthetic judgements are not just statements expressing personal likes and dislikes, should show how such arguments can be demolished.
3
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Otakar Zich: Aesthetic and Artistic Evaluation, Parts 2 & 3

75%
Dykast R.
Estetika: The Central European Journal of Aesthetics
|
2010
|
vol. 47
|
issue 1
71-96
EN
In this important article, first published in 1917, the Czech aesthetician, musicologist, and composer Otakar Zich (1879-1934) distinguishes between two kinds of evaluation of a work of art: aesthetic evaluation and artistic evaluation. He bases this differentiation on two possible attitudes that a perceiver may have towards a work of art. The first originates solely in the perceiver's experience of the work and his or her search for a feeling of pleasure. It reflects only the subjective preferences of the individual; Zich terms the corresponding value 'relative aesthetic value'. Above the relative value of an emotional effect there is an evaluation of a higher order, which consists in 'comprehending' a work of art. It is to this evaluation that artistic value corresponds. According to Zich, however, this objective value is grounded not in the work itself, but in the distinctive 'personal value' of the artist. In artistic evaluation, the work of art is therefore evaluated as a manifestation of strong artistic individuality. The first part of the article was published in the previous issue.
4
Content available remote

OTAKAR ZICH: AESTHETIC AND ARTISTIC EVALUATION, PART 1

75%
Dykast R.
Estetika: The Central European Journal of Aesthetics
|
2009
|
vol. 46
|
issue 2
179-201
EN
In this important article, first published in 1917, the Czech aesthetician, musicologist, and composer Otakar Zich (1879-1934) distinguishes between two kinds of evaluation of a work of art: aesthetic evaluation and artistic evaluation. He bases this differentiation on two possible attitudes that a perceiver may have towards a work of art. The first originates solely in the perceiver's experience of the work and his or her search for a feeling of pleasure. It reflects only the subjective preferences of the individual; Zich terms the corresponding value 'relative aesthetic value'. Above the relative value of an emotional effect there is an evaluation of a higher order, which consists in 'comprehending' a work of art. It is to this evaluation that artistic value corresponds. According to Zich, however, this objective value is grounded not in the work itself, but in the distinctive 'personal value' of the artist. In artistic evaluation, the work of art is therefore evaluated as a manifestation of strong artistic individuality.
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