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Arménští lidoví pěvci a trubadúři – gusani a ašugové

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Kohoutkova P.

Český lid: etnologický časopis (Český lid: Ethnological journal)

2007

vol. 94

issue 2

157-176

The goal of this article is to approach the Armenian epic poetry and above all the phenomenon of local troubadour lyrics as such, in the light of traditions of neighbouring nations and also in a European context. The authoress has tried to show that Armenia (and the Caucasus region as a whole) is far from being a region deserving only the marginal interest of researchers. To the contrary, its relative isolation on the one hand and the constant blending of cultures and the emergence of syncretic traditions on the other hand make the Caucasus a fountainhead of topics not only for ethnologists and folklorists. Armenian lyric poetry can be shown to have developed under the strong influence of Persian as well as Arabic poetry, but Armenian folk art tended to take its inspiration also from local traditions, and through the quasi authorship of hayrens it then became the inspiration for the higher art form of poetry. Through popular music, Armenian troubadour lyric poetry has remained alive and is still popular with the public.

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1 Český lid: etnologický časopis (Český lid: Ethnological journal)

1 2007

1 Kohoutkova P.

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Arménští lidoví pěvci a trubadúři – gusani a ašugové