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PASKVIL, NEBO UMĚNÍ? NOVÝ DILETANTISMUS JAKO ZDROJ UNAVENÉHO PUBLIKA

100%
Lee L.
ESPES
|
2019
|
vol. 8
|
issue 1
37 – 46
EN
Education and the support for creativity are some of the functions of the new medias. The users utilize a lot of e-tools to create products with varying art quality. Because of this new ability to create they, fallaciously, consider themselves – from their new positions of becoming artists - having also become art critics but they fail to understand the complexity of creative process. We intend to exemplify with the art of the American painter Cy Twombly, that some works of art which seem to be easy to copy and therefore not worth enough are in fact a result of the author ́s erudition, talent, diligence and clear intention. Twombly ́s works are connected with topics such as sigh, ability to decipher, Apollonian and Dionysian principles and the dichotomy Eros/Thanatos. We will present the artist's original non-printable way of taking inspiration from classical mythological stories and some interpretative approaches (Barthes, Bird, Serra).
2

FROM A CITY AS A WORK OF ART TO THE ART OF THE CITY (Od miasta jako dziela sztuki do sztuki miasta)

100%
Rybicka E.
Przegląd Kulturoznawczy
|
2008
|
vol. 1
|
issue 1(4)
155-162
EN
This article aims at a review of contemporary trends in art and theatre, emphasizing the social engagement of artistic action, the participation of the audience, and the modification of the reality of the city. The main focus is on the assumptions and practices of 'community arts' and 'community theatre' - as intriguing artistic proposals, dealing with the main plagues of the contemporary city: atomization, the breakup of social bonds amongst inhabitants, as well as bonds with their city. Art is meant here as an action for the community, and against the disintegration of the social space - through the constitution of new relations among inhabitants, artists, and the city itself. Artistic practices are supposed to transform the audience into the community, and thus to participate in the construction of the public space.
3
Content available remote

PIATA LOĎ, ŠPINA, NINA. TRI ARTOVÉ SLOVENSKÉ FILMY A ICH ÚSILIE OSLOVIŤ DIVÁKOV V KINÁCH

100%
Križková E.
Slovenské divadlo (Slovak Theatre)
|
2018
|
vol. 66
|
issue 1
79 - 95
EN
The text analyses the distribution of three Slovak films created in 2017 (Piata loď (Little Harbour), Špina (Filthy), Nina to Slovak cinemas. This year new Slovak films reached 1,414,132 cinemagoers, which is a 21.13% share of total cinema admissions. This is the highest annual number recorded since the establishment of the Slovak Republic (1993). The study looks for an answer to the question, why do some Slovak films achieve higher admissions then others? It also seeks to point out the variability of the criteria to measure the success of a film with the audience.
4

Myth, Imitation and 'Postfiguration'. Categories of Description of Contemporary Popular Culture

88%
Fulinska A.
Teksty Drugie (Second Texts)
|
2008
|
issue 1-2
288-296
EN
The article discusses popular culture in the context of two terms: prefiguration and postfiguration, showing that the latter is the proper tool to describe flow of topics and images in popular literature and other fields, e.g. film or music. The authoress discusses popular culture as looking at the same time forward - in search of new elements to capture the audience - and back - reflecting its own genres, formulas and themes. The term postfiguration is proposed as a unifying category for these two, apparently contradictory tendencies.
5

Medialna reflexia smrti Vaclava Havla a Kim Cong Ila v socialnych mediach

75%
Murar P.
Communication Today
|
2012
|
vol. 3
|
issue 1
48-68
EN
Vaclav Havel and Kim Jong Il had several features in common: they were approximately the same age; for many years they were leading the state and their decisions exceeded far beyond the state´s borders. Their deaths at nearly the same date have attracted considerable attention. But their value and opinion diversity suggests that their deaths and funerals would not be equal as a topic. This study tries to compare the extent and content, by which the world media reported the events through their accounts in social media. It makes both a quantitative and qualitative analyses of all updates of news in selected media which were published from the date of their death until the date of the funeral by means of their accounts in social media. It tries to find out which death was medially more attractive, how long the subject remained in the media attention, but also what stance the media had to their deaths
6

Motivations and Incentives of Community Media Content Creators: A Case Study Of Spodnás

75%
ŠKRIPCOVÁ L.
Communication Today
|
2017
|
vol. 8
|
issue 2
30–41
EN
Community media are a natural extension of the various lives of communities within this world. They serve as a platform for sharing content, ideas and views which the communities deem important. They are equally important to the content creator himself and the information recipient. The uniqueness of community content creation begins with the process of creating as such; as the authors are usually the same people as the recipients, the situation in question is very unlike the production processes we know from mass media. This case study aims to map one of the communities situated in the city of Trnava that calls itself SpodNás. It analyses the whole process of creating a zine and related community activities via participant observation of the content creation related to this community’s everyday life. The author also strives to define the boundaries which divide a passive and an active recipient, primarily through directly surveying the content creators themselves.
7

Television News as an Information Source and Its Perception in Slovakia

63%
VIŠŇOVSKÝ J., GREGUŠ Ľ., MINÁRIKOVÁ J., KUBÍKOVÁ K.
Communication Today
|
2019
|
vol. 10
|
issue 1
40–61
EN
Television news reporting is one of the most significant information sources, through which the media audiences get acquainted with the current affairs related to all aspects of social life in order to understand them. The research study focuses on the issue of news perception and its interpretation by the recipients with emphasis put on acquiring new information. The theoretical outlines of the study reflect on specific demands and expectations of the society associated with TV news, as well as on today’s television audiences, the process of news perception and its determinants. The authors also offer results of their own research inquiry into television news reporting that aim to define the meaning of news in terms of everyday lives of its recipients, stressing out its information and educational function bound to social demands associated with media. This topic is also related to the recipients’ ability to ‘decode’ pieces of news and acquire the necessary information. The research was conducted by combining various research methods and tools – focus groups, standardised questionnaire surveys and a quantitative content analysis of selected news stories (in total 120 respondents were involved). The researchers used the selected research material consisting of news stories broadcast by Slovak commercial television station TV Markiza to examine the respondents’ ability to interpret news coverage with regard to its function as an information source.
8

Dimenzie profesionality sucasnej masmedialnej komunikacie

51%
Lehoczka V.
Communication Today
|
2010
|
vol. 1
|
issue 1
19-29
EN
The system of preferences of the public opinion is now largely due to the mega production of media and by its predominant influence on social assessments the main factor in shaping the respect of general public for values. The value system is held and animated through symbols expressed in artefacts that are currently dominating. The central moment of reflection on current trends, dimensions and mass media communication is the diagnosis of the interpretative unprofessionalism in journalism, of the suppression of real communication in favour of the principle of simulation, manipulation, and hyper reality. Mass media are powerful resource basis of the social reality interpretations and of so-called right ideas of it; in particular the dominant influence of the media touches the generation of children, teenagers and the youth as such.
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