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Vojenská história
|
2020
|
vol. 24
|
issue 4
7 - 25
EN
Based on a brief overview of both historical and contemporary practice abroad and home, the author demonstrates that the warrants have always been signed in own hand of the person awarding the honours and stamped by their official stamp, since that is the only way how they became valid and efficient for legal actions. The only known exception is represented by the warrants of appointment of some of the honours of the Armed Forces of the Slovak Republic, which are not signed or stamped and the name of the person awarding the honours is also missing, being replaced by their function with the “v.r.” abbreviation (“vlastnou rukou” - “manu propria”, “m.p.” - “in one’s own hand”). The author points out to the formal mistakes of these warrants, questioning the arguments why the warrants cannot be signed and at the same time submitting a proposal how to solve this issue.
EN
One of many ways in which the Austrian monarchy supported the arts, was a system of Arts Grants. They were awarded for poetry, the arts and music composition. The article publishes documents relating to the Arts Grants, awarded between 1892-1898, surviving in the State Archives in Vinna (Osterreichisches Staatsarchiv Wien / Allgemeines Verwaltungsarchiv). The members of the music composition evaluation commission were in those years Eduard Hanslick, Johannes Brahms and Karl Goldmark. The documents published here show clearly, how, in the years of escalating nationalistic tensions in the monarchy, the balance between the individual lands under the Habsburg crown was strictly observed, also in relation to the languages spoken there. The published documents give information about the applications of the composers Josef Suk, Vitezslav Novak, Karel Weis, Ludvik Kuba and other composers from Bohemia, and also other artists from other nations. Also included are short biographies of the applicants, providing that information relating to them was available.
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