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Poleskie sonety Benedykta Jankowskiego. Do druku podał Anton Franciszek Bryl. - Aneks: Adam Pomorski, O publikacji sonetów Benedykta Jankowskiego

100%
Bryl A. F., Pomorski A.
Pamiętnik Literacki
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2014
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vol. 105
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issue 2
159-164
EN
The article contains 7 sonnets by Benedykt Jankowski. The sonnets, previously unknown, come from a manuscript treasured in the Library of the Lithuanian Academy of Sciences. A mark on the manuscript informs that is was rejected by censorship authorities in 1857. All the information we have about the author comes from the manuscript itself and from two letters to the publisher, written in 1850s and preserved currently in the same library. The sonnets have no common title. The title of the present publication refers to Polesia, a historical region mentioned in one of the sonnets and in a larger dramatic work in the same manuscript, and to which the place from where one of the letters was addressed belongs.
2
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Strategie przekładu Adama Pomorskiego na przykładzie tłumaczenia wiersza Метель Borysa Pasternaka

88%
Plakueva-Olejniczak M.
Acta Polono-Ruthenica
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2018
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vol. Tom 3 Nr XXIII
127-140
EN
The subject of this article’s research is the problem of translation of poetic texts on the basis of a poem Метель by Boris Pasternak. The work aims to analyse certain mechanisms and processes involved in the translation of poetic texts which are not limited to the rhythmical layer but also include lexical and phonological dimension. The article examines strategies of translation created by Adam Pomorski, a critic, essayist and recognised translator of Russian, German and English belles-letters, and a chairman of the Polish PEN Club. Pomorski reckons that translation is a “reconstruction of the prototype” within the norms and conventions, while all rest is a result of individual style. While cre- ating literature, some artists recall the sounds that they associate with the literary pictures. This way, the language goes beyond the sematic layer of a work, while trying to imitate the sounds through onomatopoeic words, acoustic expressions and also other ways that influence the rhythmisation of a poem and bring out the connotation to the musical side of things. We will try to investigate how the poetic word of a prototype changed upon a translation on the basis of a Метель poem Pasternak.
3
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CZARNY CZŁOWIEK SERGIUSZA JESIENINA W TŁUMACZENIU ADAMA POMORSKIEGO JAKO DRUGI ELEMENT POLSKIEJ SERII PRZEKŁADOWEJ

75%
Ojcewicz G.
Acta Neophilologica
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2012
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vol. XIV/1
165-183
EN
The author analyses the interpreting techniques used by Adam Pomorski in his translation of Black Man by Sergey Yesenin. It becomes obvious that the Polish interpreter used traditional methods of text translation, not always keeping the formal, semantic, and stylistic structure of the original text. So, in his version Pomorski emphasized the presence of a second author-creator, i.e. himself, and left traces of his interpreting initiative in almost every line, amplifying translation, introducing unmotivated inversions, using archaic and modernized lexis. Due to such a pretentious manner of Pomorski’s translation the reader received the text which doesn’t always remind Yesenin’s original lines.
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