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EN
The article deals with a stereotypical perception of Lesya Ukrainka drama Blue Rose as an experimental and somewhat incomplete work. The main thesis of the text is: the drama fits into the context of European dramaturgy of the late 19th – early 20th century and is consonant with the aesthetic searches of symbolists. The author analyses the motive of hereditary insanity, psychology drama, including fears of the protagonist, autobiography of work, and makes a comparison between interpretations of love themes in Lesya Ukrainka and Dante, and in Lesya Ukrainka and Russian symbolists (A. Blok, A. Bely). The basis for drama philosophy of two worlds was made through the establishment of platonic love doomed to end in tragedy in an imperfect world. The activation of a Middle Ages discourse allowed Lesya Ukrainka to do all the artistic discoveries, which later become the basis for the formation of symbolist theatre.
PL
Artykuł omawia pracę Andrzeja Pleszczyńskiego dotyczącą przedstawienia obrazu Polski i jej mieszkańców nie tylko w historiografii, ale w ogóle w komunikatach pisanych i ikonograficznych powstałych w Niemczech od drugiej połowy X w. do 1370 r. Autor artykułu zwraca uwagę na dyskusyjny charakter przyjętego przez Pleszczyńskiego założenia o istnieniu w badanym okresie dwóch spójnych narodów – niemieckiego i polskiego. Podkreśla, że część tekstów mogła powstać jako wyraz tożsamości regionalnej. The article discusses the book by Andrzej Pleszczyński on the image of Poland and its people presented not only in historiography, but also in all written and iconographic materials produced in Germany between the second half of the tenth century and 1370. The article’s author pays attention to the discursive character of Pleszczyński’s assumption about the existence of two organized and cohesive nations in the analysed period – the German and the Polish one. He emphasizes that some of the texts could have been written as expression of the regional identity.
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