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Berman l’intraduisible

100%
Ciobâcă C.-E.
e-Scripta Romanica
|
2022
|
vol. 10
118-136
EN
The paper deals with the translation of the discourse pertaining to the field of Translation Studies. The case study under scrutiny is the chapter entitled “A Manifestation of Translation” in The Experience of the Foreign by Antoine Berman. We examine certain translation difficulties of Berman’s discourse and, in particular, the apparent untranslatability of key concepts of his work. Our approach starts with a general analysis of the translatability of Translation Studies works, which includes a review of the metalanguage. We then expose the fundamental principles of Berman’s philosophy in order to be able to identify, in the last part of the paper, the terminological and discursive challenges implied by the translation of Berman’s discourse.
FR
Notre travail est une réflexion sur la traduction du discours traductologique. Prenant comme étude de cas le chapitre « La traduction au manifeste » de l’Épreuve de l’étranger d’Antoine Berman, nous examinons les difficultés de traduction du discours bermanien et, en particulier, l’apparente intraduisibilité des concepts-clés de l’ouvrage. Notre démarche commence par un examen général de la traduisibilité du discours traductologique, qui comprend une analyse des particularités du métalangage. Par la suite, nous passons en revue les axes fondamentaux de la philosophie de Berman, pour identifier dans la dernière partie les défis d’ordre terminologique et discursifs de la traduction du discours bermanien.
2
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Bermanowskie superpozycje językowe i egzotyzacja kontra komiks Cyrila Pedrosy Portugalia

99%
Jankowski J.
Między Oryginałem a Przekładem
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2015
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vol. 30
107-125
EN
The present article aims towards analysing three versions of a comic book Portugal by Cyril Pedrosa – original French and its translations into portuguese and polish – having in mind translation problems related with form (comic book) as well as with content. The analysis uses classic text deformative categories formulated by Antoine Berman. In course of analysis and interpretation of the translators’ choices we were able to show all the changes forced by specific language situation subsequent from the author’s creation of the plot situation.
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O przekładzie utworów poetyckich na przykładzie tłumaczeń poezji Skamandrytów na język hiszpański

99%
Jackiewicz A.
Między Oryginałem a Przekładem
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2017
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vol. 37
99-120
EN
The article aims to show the difficulties which might be encountered by the translator who resolves to translate the poetry of the members of the literary group Skamander, whose poems are characterized by a unique mastery of language and a specific poetic strategy based on the description of the surrounding reality. The contrastive study of the source texts and their translations into Spanish will show to what extent the translators understood the uniqueness of Skamander’s poetry and if they managed to convey reality they depict to the Spanish reader. The aim of such a juxtaposition is to determine whether the translation choices made by the translators reveal their awareness of the specific formal and stylistic structure of poems, deriving from the strategy employed by the poets. A starting point for the study is the theory of translation as “the experience of the foreign” put forward by Antoine Berman. The examination of twelve tendencies which deform the source text, allows to verify if and to what extent the translators of Skamander’s poetry made it possible for the Spanish-language reader to “experience the foreign” reality depicted in the source texts.
4
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DOMESTICATING AND MODERNIZING HEART OF DARKNESS

99%
Kujawska-Lis E.
Acta Neophilologica
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2013
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vol. XV/1
61-80
EN
The present paper seeks to analyse the development of the translation series of Joseph Conrad’s Heart of Darkness with emphasis on domesticating and modernising tendencies. To this end, two translations into Polish are compared: Aniela Zagórska’s version published in 1930 and Ireneusz Socha’s modern translation of 2004. Various levels at which domesticating and modernising tendencies can be noticed are considered. It seems that, contrary to current tendencies to foreignize translated texts, the modern version of Heart of Darkness, at least at the linguistic level, may be labelled as the domesticated one in comparison with the earlier translation. Generally, Zagórska tries to reproduce Conrad’s wording in Polish; whereas Socha’s aim, or skopos, seems to be creating the text that reads naturally. The paper shows in what ways the translators’ choices of particular translating strategies and procedures accentuate the deforming tendencies, as defined by Antoine Berman.
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