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The Meaning of the Motif of Michael the Archangel’s Dispute with the Devil (Jude 9). A Socio-Rhetorical Perspective

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Muszytowska D. K.

The Biblical Annals

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2020

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vol. 10

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issue 4

677-706

PL

The purpose of this article is to analyze the persuasive functions of the Archangel Michael motif in the Letter of Jude 9 and examine how the laconic reference serves argumentation in the letter and how it affects the recipients. We used methods of interpretation in the field of socio-rhetoric according to the interpretation model of V. R. Robbins adapted to the needs of this study: rhetorical analysis, intertextual relations and analysis of the pivotal values of the first-century Mediterranean world. The analyzes lead to the conclusion that the condensed form of the allusion to the Archangel Michael motif makes it possible to refer to the crisis of the addressees simultaneously on many levels. It serves positive argumentation based on the ethos, uses the strength of the rich interpretation tradition of the motif and is the key to the proper implementation of the answer in the mechanism challenge-riposte and defining the threat to community identity.

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„Nadprzyrodzone” w redefiniowaniu tożsamości Ukraińców po rewolucji godności

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Solarz O.

Studia Etnologiczne i Antropologiczne

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2019

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vol. 19

105-120

PL

The issues touched upon in the article concern the impact of the “supernatural” element in re-defining the Ukrainians’ identity during and after the Revolution of Dignity, including the merger of the events’ casualties with the image of an angel hero fighting under the leadership of Archangel Michael against the Yanukovych regime. It instigated the process of the mythologizing victims, whose souls – according to collective imagination – composed the Nebesna Sotnya waging war against evil from the heavens above, while at the same time protecting the living. The community commenced the said re-definition of identity, among others, by referring the initiation hero’s journey, who first fought at Maidan, then proceeded to the battlefield of war, while still remaining under the “supernatural” protection. Moreover, mystical signs only reinforced the rightfulness of taking up the challenge and the righteousness of the very idea.

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Aniołowie w cerkiewnosłowiańskiej hymnografii

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Naumow A.

Rocznik Teologiczny

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2013

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vol. 55

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issue 1-2

67-89

EN

The work presents survey of Church Slavonic hymnographic compositions dedicated to Angels. All basic liturgical cycles in which the angelologic subject matter is brought up have been reviewed – especially weekly liturgical cycle (Mondays) and the yearly one (8 XI, 6 IX, 26 III, 13 VII). Aside from texts used currently in Slavonic local Orthodox Churches and translated from the Greek language, there are presented here compositions dedicated to Archangels written by Slavonic authors (Anonym, Clement of Ochrid and Constantine of Preslav of ninth/tenth century, Simeon of fourteenth century).

PL

Artykuł prezentuje przeglądu cerkiewnosłowiańskich kompozycji hymnograficznych poświęconych Aniołom. Analizie zostały poddane wszystkie teksty, podstawowych cykli liturgicznych, poświęcone aniołom, a w szczególności tygodniowy (poniedziałek) oraz 8 XI, 6 IX, 26 III, 13 VII). Obok tekstów wykorzystywanych współcześnie w lokalnych Kościołach prawosławnych i przetłumaczonych z języka greckiego, w pracy zostały zaprezentowane kompozycje dedykowane Aniołom i napisane przez słowiańskich autorów (anonimowe, Klemensa z Ochrydy i Konstantyna Presławskiego (IX/X w.) oraz Symeona (XIV w.)).

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Anielski śpiew i anielskie trąby w reprezentacjach Sądu Ostatecznego Staroobrzędowców

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Sulikowska-Bełczowska A.

Ars inter Culturas

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2019

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vol. 8

35-52

EN

The purpose of this paper is to describe the musical concept of angel singing and the iconography of angel horns in the culture of Russian Old Believers in the 19th century. From the mid-17th century, the Old Believers rejected the new customs of the Muscovite official Church, including musical traditions, and accepted only vocal music. Musical instruments in Old Russian and Old Believer art depicted on icons and miniatures were based primarily on Byzantine models. Further examples can be given from the Book of the Apocalypse and on eschatological icons, which show angels playing the horn. The article discusses items from a 19th century Apocalypse from the collection of the National Library in Warsaw and icons from the National Museum in Warsaw. Angels with horns announce the approaching of the Last Judgement. These images are symbolic in meaning and do not refer to musical practices.

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1 Ars inter Culturas

1 Rocznik Teologiczny

1 Studia Etnologiczne i Antropologiczne

1 The Biblical Annals

2 2020

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1 Muszytowska D. K.

1 Naumow A.

1 Solarz O.

1 Sulikowska-Bełczowska A.

The Meaning of the Motif of Michael the Archangel’s Dispute with the Devil (Jude 9). A Socio-Rhetorical Perspective

„Nadprzyrodzone” w redefiniowaniu tożsamości Ukraińców po rewolucji godności

Aniołowie w cerkiewnosłowiańskiej hymnografii

Anielski śpiew i anielskie trąby w reprezentacjach Sądu Ostatecznego Staroobrzędowców