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PL
The paper analyses Varujan Vosganian’s The Book of Whispers, a polyphonic novel that consists of various personal stories, many of which describe the Armenian genocide and its aftermath. Recalling some of them, it shows the ways the narrative speaks up for the memory of the victims who perished in the massacres and death marches of 1915 and 1916. The last part of the paper focusses on the relationship between Vosganian’s novel and the album published along with its Romanian edition (Cartea Şoaptelor. Album), containing, among other things, photographs of the victims and their mass graves. The narrator’s sense of being chosen to preserve their stories, heard from elders since early childhood, makes it possible also to discuss the novel in terms of Marianne Hirsch’s concept of post-memory.
EN
The carnage made during the First World War on the Christians living in the central and eastern provinces of the Ottoman Empire found its widely reflected in the culture and art of the twentieth century. It became the theme of many works and inspiration for the creators, also outside the circle of civiliza-tion hinted communities affected by the tragedy. A special sensitivity distin-guished themselves in artistic circles in Western Europe and the United States. They formed a significant extent widespread contemporary image of the tragedy that took place a hundred years ago in the area of Western Asia. It contained far-reaching simplification and it was also politically useful, decisive for the durability of the media.
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