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Digitalization Of Memories – An analysis Relationship Between Autobiographical Memory And Digital Photography

100%
Eyrek Keskin A.
Media Literacy and Academic Research
|
2020
|
vol. 3
|
issue 1
85-96
EN
Photography has been used as a mnemonic since its early years. It has the power to move the past to the present by breaking down the structure of time. Presenting a static image, it records an image of a past time. Looking through family and childhood photo albums, the person embarks on a journey through the past in his/her memory. Following digitalization, the function of photography has been changed in accordance with the transformation of it from analogue to digital. Photography is not only a mnemonic but also contains the function of the enjoyment of individuals, creating self, self-presenting to others. In terms of storage, screening and sharing, digital photography is more convenient and accessible than analogue photography. For these reasons, people’s interest in digital photography has been rising and it encourages taking/recording images at the moments that will create their memories in the years ahead. The aim of this paper is to examine the relationship between autobiographical memory (contains information about individual experiences, memories) and forgetting/remembering between digital photography. The nature of the subject required the use of both qualitative and theoretical analysis of the participants’ social media usage. The research data was collected conducting semi-structured interviews with participants who shared their images about individual lives and memories on social media. In addition, benefiting from the observation technique, the participants were requested to look at both printed and digital photo albums and asked if they remember the corresponding memories. The theoretical insights are based on critical theory. The studies reveal that memories become digital and affect memory due to rising motivation to take and share pictures on the social media.
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Książka, biblioteka, czytanie w semiosferze drohobyckich auto/bio/geo/grafii(prolegomena

51%
Durkalewicz W.
Nowa Biblioteka. Usługi, Technologie Informacyjne i Media
|
2019
|
issue 4(35) Wokół biblioteki i czytelnictwa
91-116
PL
W niniejszym artykule podjęto próbę naszkicowania możliwych kierun-ków badań nad książką i biblioteką w utworach literackich, których daty powstania dzieli znaczna rozpiętość czasowa, nawiązują jednak do wspólnych ram topogra-ficznych. Są to ramy rzeczywistości drohobyckiej, prezentowane w opowiadaniach i powieściach Iwana Franki, Antoniego Stanisława Muellera, Brunona Schulza, An-drzeja Chciuka, Henryka Grynberga i Erwina Schenkelbacha. Analizowane utwory cechuje rozbudowany profil auto/bio/geo/graficzny odzwierciedlający historyczne, artystyczne oraz kulturowe doświadczenia homo localis. Motywy książki, biblioteki i lektury pokazane zostały w perspektywie transformacji indywidualnej pamięci autobiograficznej w pamięć kulturową o odpowiednich dominantach semiotycznych, aksjologicznych i antropologicznych.
EN
This article is an attempt to outline the possible directions of research on the book and the library in literary works whose dates of creation are divided by a considerable timespan, but which refer to the common topographical framework. In the context of this article these are the frames of Drohobych reality, as presented in the stories and novels of I. Franko, A. S. Mueller, B. Schulz, A. Chciuk, H. Grynberg and E. Schenkelbach. The analyzed literary works are texts with an extensive auto/bio/geo/graphical profile, reflecting various historical, artistic and cultural experiences of homo localis. The book, library and reading motifs have been depicted in the perspective of the transformation from individual autobiographical memory into the cultural memory with the appropriate semiotic, axiological and anthropological dominants.
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