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1

El sonido de los metales: el angel músico de la trompeta s. i. Catedral de Valencia, España

100%
Sancho J. L. D., Ordóñez Y. R.
Polonia Sacra
|
2011
|
issue 29(73)
293-305
EN
Musical instruments such as trumpet, tuba and horn were traditionally associated with royal dignity because of their sound and color. Biblical texts contain plenty of references to metallic musical instruments which were used for different purposes: as a signal of war, summoning the assembly, in the context of bereavement, or worship. An excellent illustration are the angels-musicians painted on the vault of the chancel of the cathedral in Valencia. There are two angels as heralds, who play on metal trumpets, announcing judgment, which is marked with a gold color of the instruments. These poetic images are used by theology to explain a religious event and explain in this way the Gospel message.
2

NEJASNOSTI OKOLO VEĽKOMORAVSKÉHO STAROSLOVIENSKEHO PROGLASU

88%
Pavlovičová K.
Slovenská literatúra (Slovak Literature)
|
2015
|
vol. 62
|
issue 3
165 – 189
EN
The paper raises a question whether it is appropriate to assess Middle-aged Proglas as a poem consisting of a certain number of lines regardless of typological features of a Middle-aged piece of writing as such. The genre classification of Proglas requires revealing the earliest version in the preserved manuscripts and its purpose including the examination of its original title. With regard to the critical chronological comparison of manuscript copies in Old Church Slavic, identical and different parts of the translations into Slovak are examined, especially the one made by Ján Stanislav as opposed to those done by other translators.
3

NEJASNOSTI OKOLO VEĽKOMORAVSKÉHO STAROSLOVIENSKEHO PROGLASU (DOKONČENIE Z MINULÉHO ČÍSLA)

75%
Pavlovičová K.
Slovenská literatúra (Slovak Literature)
|
2015
|
vol. 62
|
issue 4
269 – 290
EN
The paper raises a question whether it is appropriate to assess Middle-aged Proglas as a poem consisting of a certain number of lines regardless of typological features of a Middle-aged piece of writing as such. The genre classification of Proglas requires revealing the earliest version in the preserved manuscripts and its purpose including the examination of its original title. With regard to the critical chronological comparison of manuscript copies in old church Slavic, identical and different parts of the translations into Slovak are examined, especially the one made by Ján Stanislav as opposed to those done by other translators.
4

THE PHILOSOPHICAL SYSTEM OF CONSTANTINE THE PHILOSOPHER (I)

75%
Pavlovicova K.
Slavica Slovaca
|
2007
|
vol. 42
|
issue 1
3-19
EN
Christian saint and missionary Constantine with monastic name Kyrill has an attribute The Philosopher. Appellative form of the word 'philosopher' ranks his personality of extraordinary significance to the world of philosophers. In this study we systematically try to determine what is meant by the concept 'philosopher' in the light of biblical texts, in the descriptions of the church fathers and the Christian writers until the 9th century and in the church service of the Eastern Church. All these are namely the sources of an educational and a spiritual formation of his personality. Inomissible is Constantine's lifelong desire for a monastic life 'similar to that of angels', which he managed to fulfil only at the end of his life. We try to find the profile of his philosophy in the opposition between the philosophy of the temporal world (antic philosophy), knowledge of God that allows anabasis directing to God, and the philosophy of the heavenly world (bios angelikos, foolery for Christ, Hagia Sofia) that represents the cathabasis of Logos.
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