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1
100%
|
2005
|
vol. 67
|
issue 3-4
259-269
EN
Gottlieb Jacob Marstaller was a professional engraver employed on a permanent basis at the court of Stanislaus Augustus in 1765 to 1785 who specialised in book illustration (title headpiece, tailpiece vignettes), as well as text illustrations. Not all his works are signed, which is why the list of potentially attributable pictures remains open to revision. As a result investigation into 18th-century old prints housed in the collections of Warsaw's National Library, almost ten new works have been attributed to Marstaller, each being an unsigned copperplate etching combined with watercolours.The copperplates most recently attributed to Marstaller confirm his high reputation in Warsaw in the second half of the 18th century; nor is it the first time that researchers wonder at how it possibly came to pass that they know virtually nothing about the life of this 'better-than-average' artist; even basic information such as where and when he was born and died.
2
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Misál opatovický

75%
EN
The authors treat a manuscript missal unknown to this day by experts, which is housed at the Scientific Library in Olomouc (M III 106). After having analysed the manuscript in the line of codicology (Š. Kohout), history of arts (J. Hrbáčová), and musicology (S. Červenka), they conclude that this codex was intended for the needs of the Benedictine Convent in Opatovice nad Labem. It was created shortly after the year 1354, its illuminations are the work of a Prague workshop associated with the court of King Charles IV, which participated in the production of a series of exclusive manuscripts, e. g. Liber viaticus of the Bishop Johannes Noviforensis. The Viaticus and the missal of Opatovice are on the same line in terms of decoration. The missal was probably ordered by the then Benedictine Abbot Neplach who maintained frequent official contacts with the Bishop occupying the office of chancellor to Charles IV.
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