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1

SOCIÁLNA ŠTRUKTÚRA BRATISLAVSKEJ UMELECKEJ BOHÉMY V ROKOCH 1920 – 1945

100%
Vass M.
Historický časopis (Historical Journal)
|
2018
|
vol. 66
|
issue 1
83 – 105
EN
The study provides an analysis of the authentic modernist cultural and social phenomenon of Bratislava‘s artistic bohemian in the years 1920– 1945 in terms of its social structure. This group consisted of writers and painters, in what amounted to a special social microcosm, in the midst of which a particular social structure spontaneously formed, consisting of a leading integrating personality encircled by a wider group of acquaintances, patrons, female muses, devotees and fans stemming from bourgeois circles. An important issue in the context of the social structure of Bratislava‘s artistic bohemian is the antagonism between bohemian artists, who possessed cultural capital, and the bourgeoisie, who possessed economic capital.
2

BIEDERMEIER. UMĚNÍ A KULTURA V ČESKÝCH ZEMÍCH 1814 – 1848. OTÁZKA ŠTÝLU

86%
Beňová K.
ARS
|
2009
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vol. 42
|
issue 2
351-354
EN
The article offers information on the exhibition 'Biedermeier. Art and Culture in the Czech countries 1814 - 1848' and the resulting extensive publication (527 pp.), both organized and published in 2008. It presents basic insight according to the logical structure of the publication: Predispositions and Roots, Applied Arts and Life-style, Biedermeier in Fine Arts and Tradition and Modernity and the Catalogue comprised of approximately 700 entries.
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