Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Refine search results

Results found: 3

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  Blade kłosy [Pale ears…]
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
EN
This article is a republication of an unknown poem by Norwid, entitled Blade kłosy na odłogu [Pale ears on the fallow...]. The text is taken from the sheet music edition of two songs published by Kazimierz Lubomirski (the latter song is authored by Lucjan Siemieński), developed for voice and piano. Most probably, the score was published in the spring of 1851. The article attempts to unveil the circumstances of how the work came into being and it settles the problem of its unclear authorship and roots. Moreover, it shows a story of a musical piece that has for long remained unknown, and which was well-recognized in the realm of household musical culture at the turn of the 20th century.
EN
This article is a republication of an unknown poem by Norwid, entitled Blade kłosy na odłogu [Pale ears on the fallow...]. The text is taken from the sheet music edition of two songs published by Kazimierz Lubomirski (the latter song is authored by Lucjan Siemieński), developed for voice and piano. Most probably, the score was published in the spring of 1851. The article attempts to unveil the circumstances of how the work came into being and it settles the problem of its unclear authorship and roots. Moreover, it shows a story of a musical piece that has for long remained unknown, and which was well-recognized in the realm of household musical culture at the turn of the 20th century.
EN
This article is a republication of an unknown poem by Norwid, entitled Blade kłosy na odłogu [Pale ears on the fallow...]. The text is taken from the sheet music edition of two songs published by Kazimierz Lubomirski (the latter song is authored by Lucjan Siemieński), developed for voice and piano. Most probably, the score was published in the spring of 1851. The article attempts to unveil the circumstances of how the work came into being and it settles the problem of its unclear authorship and roots. Moreover, it shows a story of a musical piece that has for long remained unknown, and which was well-recognized in the realm of household musical culture at the turn of the 20th century.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.