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„…po co nizać próżne słowa…” Obraz w powieści Antychryst Emiliana Stanewa

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Bahneva K.
Świat i Słowo
|
2011
|
vol. Świat i Słowo 2011, nr 1 (16)
41-58
EN
The paper deals with the topic of the strengthened poetics of the inside to be observed in the novel Anti-Christ (1973) by a Bulgarian novelist Emilian Stanev. The vision-like character of the novel, which is its strongest feature, is being discussed as a result of two philosophical ideas, important for the functioning of the Bulgarian society of the 14th century (i.e. when Bulgaria became enslaved by the Turkish aggressors to remain there for five long centuries): hesykhasm – the official religious and philosophical doctrine of the Orthodox Church of the 13th and 14th centuries, and the Bogomil movement, a religious sect spreading its teachings in Bulgaria and southern France. The absolute truth (the light of Tabor) the main protagonist of the novel is looking for functions as a pretext to various deliberations concerning the nature of both abstract and earthly dimensions of the eternal Secret of Existence.
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