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Bibliografie Miroslava Červenky 2002-2006

100%
Knopp F.
Česká literatura (Czech Literature)
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2006
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vol. 54
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issue 2-3
351-355
EN
A list of Miroslav Cervenka's works from 2002-06, together with a list of obituaries and recollections of him published after his death.
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Červenkovy Březinovské edice

63%
Holman P.
Česká literatura (Czech Literature)
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2006
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vol. 54
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issue 2-3
342-350
EN
This article mainly considers Miroslav Cervenka's contribution to research on Otokar Brezina (1868-1929) in his anthology of selections from Brezina's 'Modlitba za nepratele' (1966) and the verse collection 'Nebezpeci sklizne' (1968), 'Basnicke spisy' (1975), 'Vzajemna korespondence Otokara Breziny a Sigismunda Bousky' (co-edited with Petr Holman, 1989).
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Hry typologie a studium verše: český a španělský verš v zápasu o charakter a tvar sylabotónismu

63%
Volek E.
Česká literatura (Czech Literature)
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2006
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vol. 54
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issue 2-3
41-58
EN
In the introduction to this article, the author recalls his relationship with Miroslav Cervenka. He then recapitulates several Czech attempts at typology of the 'metre types' of Jiri Levy, Roman Jakobson, and Josef Hrabak, and recalls how Cervenka dealt with them in the late 1960s. In the next part of the article, he describes Spanish syllabotonic writing, which, he argues, confirms Cervenka's interpretation of the syllabotonic-writing code.
4
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Pojmy v pohybu : K Červenkovu setkání lyriky s fikčností

51%
Kubinova M.
Česká literatura (Czech Literature)
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2006
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vol. 54
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issue 2-3
148-159
EN
In his 'Fikcni svety lyriky' (Fictional Worlds of Lyric Verse, 2003) Miroslav Cervenka used the term 'fictional world' unconventionally and considered lyric verse, whereas in literary studies at the time it was being employed particularly to consider narrative genres. Consequently, the concepts opened right up: the question of the special world of lyric verse has now resulted in a general topic of the subject, and the means of its mediating discourse refers, among other things, to the broader topics of the implicit and the inferred. The ontological distinctness of the two subjects, the lyric subject and the subject of the work, which are jointly implied in the work, has led then, among other things, to a thorough consideration of the function and boundaries of the fictional world, and here Cervenka sees one of the instruments of the overall aesthetic game and contemplation.
5
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Na okraj Červenkova přínosu k bádání o lumírovském verši

51%
Riedelbauchová T.
Česká literatura (Czech Literature)
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2008
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vol. 56
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issue 1
101-108
EN
ncipient Modernists, they paved the way for twentieth-century verse. The author demonstrates how Červenka, whose starting point was the conclusions of Mukařovský, Šalda, and Jakobson, dealt with metre, the relationship between verse forms and semantics, and the polymetric and monometric, and she discusses the conclusions he came to.
6
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Česká setkání

51%
Glowinski M.
Česká literatura (Czech Literature)
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2006
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vol. 54
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issue 2-3
323-328
EN
Drawing in part on his own personal involvement the author looks back at Czech-Polish relations in literary studies from the 1950s on, and recalls the lives and works of Miroslav Prochazka and Miroslav Cervenka.
7
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Druhý stupěň trýzně

51%
Suchomel M.
Česká literatura (Czech Literature)
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2006
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vol. 54
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issue 2-3
304-313
EN
Inspired by, among other things, Miroslav Cervenka's concept of the fictional world, this article is an analysis of Daniela Hodrova's work of fiction, 'Kukly', as a composition of pictures, which, in and through its fragmentariness, presents us with a special fictional continuum, wiping away boundaries, for example, between characters, the historical and the fictional, and the living and the dead.
8
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Dedikace a intertexty ve Strojopisné trilogii

51%
Hoffmann B., Hoffmannova J.
Česká literatura (Czech Literature)
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2006
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vol. 54
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issue 2-3
329-341
EN
An article that moves from a survey of the occurrence of dedications in the works of Miroslav Cervenka (in the anthology 'Strojopisna trilogie', but also in academic articles) to an interpretation of poems dedicated to, among others, Josef Seifert, Jiri Kolar, and Karel Siktanc, and another survey of other manifestations of intertextuality and references to the extra-textual world and the life of Cervenka (in epigraphs, titles, subtitles, and verse) in these works.
9
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Písmo Rudolfu Havlovi o jednom způsobu publikace variant

51%
Červenka M.
Česká literatura (Czech Literature)
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2008
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vol. 56
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issue 3
400-406
EN
This is a letter from Miroslav Červenka to Rudolf Havel (1911–1993), an important editor and textual critic, on the latter’s birthday. It discusses one way of publishing variorum editions. In the letter, Červenka discusses the shortcomings and unsuitability of standard variorum editions, and suggests a more modern way of recording variant readings, which would be more useful for literary scholars.
10
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K hledání hranice, kdo kde co v lyrice mluví

51%
Bilek P.
Česká literatura (Czech Literature)
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2006
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vol. 54
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issue 2-3
140-147
EN
An article developing the long-standing debate between the author and Miroslav Cervenka about the 'limits of the lyric subject from the point of view of its potential for expression', and presenting an overview of Cervenka's analysis of the concept of the 'lyric subject' in relation to the concepts of 'person', 'subject', 'persona' and also offering its own answers to the question.
11
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Červenkova teorie lyrického subjektu

38%
Piorecky K.
Česká literatura (Czech Literature)
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2006
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vol. 54
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issue 6
31-55
EN
This article considers the development of Miroslav Cervenka's ideas on the theory of the lyric subject and communication in lyric verse. He did not lay the foundations of this theory till his dissertation, 'Vyznamova vystavba literarniho dila' (The Semantic Structure of a Work of Literature), in which he defines the lyric subject as one of the semantic complexes within the overall structure of the work. Although Cervenka never completely abandoned this conception, which stems from a structural and semiotic paradigm, he gradually added to it with impulses from other ways of thinking about literary studies. In the article 'Individualni styl a vyznamova vystavba literarniho dila' (Individual Style and the Semantic Structure of a Work of Literature, 1975) he linked the question of subjects in lyric verse to ideas in stylistics and the theory of interpretation. With his theory of subjects in lyric verse, set forth in the articles 'Halasova sebeosloveni' (Halas's forms of self-address, 1985) and 'Sebeosloveni v lyrice' (Self-address in the lyric, 1991), Cervenka moves towards perspectitives of communication. He is concerned with current theory of fiction in the volume 'Fikcnimi svety lyriky' (Fictional Worlds of Lyric Verse, 2003), which, according to this article, was an impulse to methodological considerations about a model of literary history, which would link involvement in interpreting a text with its contextualization from the perspective of literary history.
12
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Písňový text v kontextu literatury

38%
Šenkapoun P.
Česká literatura (Czech Literature)
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2009
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vol. 57
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issue 5
695-711
EN
The article aims to acquaint Czech scholars with primarily British and American literary criticism that has since the end of the 1960s categorized the lyrics of rock songs as a distinctive genre of poetry. Most scholars concerned with rock poetry (as they themselves call it) point to a gap separating academia from rock culture. The main topic of the current article is these dividing lines, not only between literature and rock music, but also between poetry intended for reading and poetry linked to music, and indeed amongst cultural phenomena in general. The article does not claim that boundaries do not exist in the arts, but does endeavour to point out that they are far more prevalent in the minds of observers and critics than in actual fact.
13
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Dvě úvahy o poezii a próze

38%
Haman A.
Česká literatura (Czech Literature)
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2006
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vol. 54
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issue 2-3
98-102
EN
An essay developing ideas of Miroslav Cervenka (sequentiality in the epic/simultaneity or association in lyric verse), Tzvetan Todorova (the transparency/opacity of the spoken word), and Gerard Genette (fiction/diction; the thematic/the rhematic) on features constitutive for conceptual distinctions between fiction and verse.
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