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The Rabbits' Isle Scriptorium

100%
Haader L.
Magyar Nyelvor (Hungarian Language Guardian)
|
2004
|
vol. 128
|
issue 2
196-205
EN
In connection with recent editions of codices, it has repeatedly been suspected that, in some cases, what György Volf had determined in 'Nyelvemléktár' (A collection of early Hungarian documents) as the same scriptor's hand actually involves several different hands. Such paleographic suspicion can be supported or refuted by linguistic methods. These are: the practice of the hand under scrutiny in the application of phoneme-grapheme correspondences or in end-of-word division marks, the types of text organisation, dialectal features, and types of errors committed. In the course of one such investigation it turned out that one of the hands of the Gömöry Codex shows clear similarity with Lea Ráskay's practice and it also became evident that the two copiers must have worked on the same codex in several cases. The similarity of linguistic solutions and of the overall appearance of the texts suggests a shared tradition: that of the scriptors' workshop in the Rabbits' Isle. The paper draws the 'mosaic portrait' of three scriptors of that workshop.
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POLYPHONY IN POLAND UNTIL CIRCA 1500: SOURCES AND PROBLEMS OF THEIR INTERPRETATION

100%
Gancarczyk P.
Muzyka
|
2006
|
vol. 51
|
issue 1-2
85-104
EN
The article describes the characteristics of sources of polyphonic music up to circa 1500 preserved in Poland. Their number is at present estimated to be 72 manuscripts (some 47 of which may be regarded as closely related to the Polish culture). Predominant among them are entries of polyphonic compositions in liturgical or non-musical codices (60%), and fragments (26%). Research into them thus faces a variety of methodological problems. The author demonstrates their nature using two previously unknown minor sources of polyphonic music as examples. He also discusses selected paradigms of interpreting Polish musical culture of the fifteenth century.
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