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Kontestacja i jej kino

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Olszowska M.

Studia Filmoznawcze

2010

vol. 31

281-286

Martyna Olszowska’s review of Kondrad Klejsa’s book Filmowe obrazy kontestacji. Kino Stanów Zjednoczonych i Europy Zachodniej wobec kultury prostestu przełomu lat sześćdziesiątych i siedemdziesiątych [Cinematic Images of Contestation Movements. Cinema of U.S. and West Europe in the Presence of the Culture of the Protest at the Turn of the 60s and 70s]. Olszowska notices that the issue of the cinema of the 60s and 70s has not been recognized entirely and Klejsa’s book can fulfill this shortage. The book is not a historical and film description of that time (1964–1973), but rather an attempt to present cinema of that period in the sociological, cultural and political context. Klejsa begins with the theoretical and historical introduction about the most important political events, theories and ideologies. He suggests useful in former film analyses distinctions between words: “contestation” and “counterculture”; a contesting culture connected to symbolic culture and culture of contestation in regard to the period of 60s and 70s. It allows Klejsa to analyse a content and a matter as well as a form and style of selected films. Most of his attention is paid to American cinema (he analyses films in regard to racial, gender, generational, political and social issues), however, Klejsa also researches cinema of West Europe: Italy, France, Great Britain and Federal Republic of Germany.

KRZYSZTOF ŚLIWKA, CZYLI "WIERNOŚĆ MUZYCE BUNTU"

84%

Maliszewski K.

DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu

2016

vol. 21

296-307

KRZYSZTOF ŚLIWKA – FAITHFUL TO MUSIC OF CONTESTATION Maliszewski analises Krzysztof Śliwka’s poetry. Śliwka comes from Wroc- ław. He is one of the most renown artists of his generation. Quiet City was the title of his first book, and the most recent one was entitled Buddha Show. Maliszewski concentrates on the originality of Śliwka’s project based on the poetic rebellion and defiance; he reveals personal, social and aesthetic source of contestation. All experiments by Śliwka rose from the hunger of the truth about people and their role in society, boiled down to the belief of being inextricably associated with space outside the system.

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1 DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu

1 Studia Filmoznawcze

1 Maliszewski K.

1 Olszowska M.

1 2016

1 2010

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Kontestacja i jej kino

KRZYSZTOF ŚLIWKA, CZYLI "WIERNOŚĆ MUZYCE BUNTU"