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REFLECTIONS ON THE FIRST CZECH INTRODUCTION OF JANACEK'S OPERA 'THE MACROPULOS CASE' (Ohlasy na prve ceske uvedenia Janackovej opery Vec Makropulos)

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Krupkova L.

Slovenské divadlo (Slovak Theatre)

2009

vol. 57

issue 1

54-68

The authoress probes reactions on the first introductions of last the opera by Leos Janacek The Macropulos case in Brno and in Prague. By critics the main principle of dramaturgy of this opera was Janacek's specific method of motive work. If we talk about libretto, we can find critics, who were solving the problem of correlative relation between Capek's story and Jancek's adapted libretto. Critics compared Capek's comedy on one side and Janacek's classical opera on the other side. They also compared Capek's intellect and Janaceks intuition, passion and compassion. Impression of absence music, appreciate innovation, dramatic and dynamic in opera dominate in perception of this art work.

KRITICKÉ A HISTORICKÉ REFLEXIE TVORBY HANY GREGOROVEJ (POZNÁMKY K DEBUTU ŽENY)

75%

Šteflová L.

Slovenská literatúra (Slovak Literature)

2013

vol. 60

issue 3

244 – 252

The study deals with the personality and work of Hana Gregorová. The analysis and interpretation of her debut book Ženy (Women) is used in an attempt to define the basic poetry-like principles of her writing style. The contrastive method is used to confront the literary-critical and literary-historical views of Hana Gregorová´s work. The interpretation forms the basis of the author ś attempt to describe her creative method and decide to what extent she approaches the Realistic method. The negative attitude of the contemporary criticism towards the author was determined by several factors, which were the reasons why her work has not been assessed in terms of literary quality to date, and has been rejected due to her extreme opinions. The main goal of the study is to outline possible starting points for interpretation of Hana Gregorová´s work related to her debut book and to assess objectively its literary qualities. The author deals marginally with the feminist views on her work.

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1 Slovenské divadlo (Slovak Theatre)

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1 Krupkova L.

1 Šteflová L.

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REFLECTIONS ON THE FIRST CZECH INTRODUCTION OF JANACEK'S OPERA 'THE MACROPULOS CASE' (Ohlasy na prve ceske uvedenia Janackovej opery Vec Makropulos)

KRITICKÉ A HISTORICKÉ REFLEXIE TVORBY HANY GREGOROVEJ (POZNÁMKY K DEBUTU ŽENY)