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1
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WINNICE I DOMKI WINIARSKIE W KRAJOBRAZIE KULTUROWYM ZIELONEJ GÓRY

100%
Garbacz K., Jackiewicz A.
Ochrona Zabytków
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2006
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issue 4
71-87
EN
The area around Zielona Góra is regarded as the most northerly wine making region in the world. The development of vine cultivation was determined by an exceptionally favourable climate and a hilly terrain, specially its sunny southern slopes. The tradition of vine growing in Zielona Góra goes back to the Middle Ages and is confirmed by a note from 1314. At the end of the nineteenth century vine cultivation started to decline, a process which went on in the following century. The area of the vineyards dropped considerably from 1400 hectares during the 1860s to a mere 110 hectares in 1937. The last local wine producer went bankrupt at the end of 1990s. Today, wine production in Zielona Góra is being revived thanks to the initiative of associations created by numerous growers, planning new vineyards in the region of the town. An inseparable element of the landscape of Zielona Góra were wineshops built on the plantations. The first such objects appeared in the eighteenth century as typically utilitarian wooden sheds and bowers. Brick houses were erected in the nineteenth century, and in 1865 they totalled 697. Residential and farm buildings, frequently featuring original architecture, survived to the early twentieth century. Today only several examples are extant. The house on 'Winne Wzgórze' is a brick edifice from 1818, surrounded by a vineyard and at present encircled with a glassed-in construction - the Palm House, which functions as a cafe. Several other objects, ensconced among contemporary city buildings, come from the first half of the nineteenth century. Unique objects include the so-called wineshop tower from Budachow (today: in the ethnographic Skansen in Ochla near Zielona Góra). The eighteenth- century two-storey building with an attic is covered by means of a hip roof. A chapel whose history dates back to 1314 was raised to commemorate the victims of a plague epidemic which took the lives of 700 residents of the 'town of wine'. During the nineteenth century the chapel fulfilled the function of a wineshop. The landscape of Zielona Góra no longer features so-called 'naboty' - charming buildings erected on a regular polygonal ground plan and covered with a roof resembling a dome. The major part of the outfitting of the houses, including tools used for growing vine and equipment for the processing of the fruit, has also not been preserved. Scarce surviving examples can be seen at permanent exhibitions held by the Lubuska Land Museum and the Ethnographic Museum in Ochla.
2

Pamiętane i zapomniane elementy krajobrazu kulturowego nadpopradzkiej Łemkowszczyzny

80%
Toczek S.
Sensus Historiae. Studia interdyscyplinarne
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2012
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issue 4(9)
69-88
EN
Poprad River is the state border between Poland and Slovakia, over a distance of about 30 km. villages located On the polish side were once home to Lemkos. This Native-residents were displaced—mostly during Operation “Wisła” in 1947. The new settlers, coming from polish ethnographic groups, took over after the Lemkos their material heritage. They become the new cultural landscape architects. Greek Catholic churches were renamed Catholic churches. Wayside shrines and crosses were assimilated by the new local culture. Most of the old cemeteries met a different fate—the former location of burials are devastated and overgrown by wild plants. Past of some local villages in this region is very unique. For example Leluchów and Dubne were once inhabited by people called Wengrini / Uhryńcy. Their folk costumes were clearly distinguishable from the rest of Lemkos. In some villages people particularly care about local history associated with Lemkos e.g. resident form Wierchomla (led by local priest) took care of the renovation of damaged tombstones. When the work was completed, priest said: “this work … is … education for the younger generation that the graves of ancestors, regardless of origin, religion and sin and merit, deserves respect and reverence. This requires from us God’s fourth commandment.”
3

PUBLIC SPACE IN LATVIA: THE HERRNHUTER MOVEMENT

80%
Plume I.
Humanities and Social Sciences: Latvia
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2008
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issue 2(55)
27-38
EN
Topography has always had a comparatively stable and important role in the diffusion and currency of philosophical ideas. The Herrnhuter movement is also associated with a specific area of influence, specifically Vidzeme, which is one of the regions in Latvia, and Riga, which was known as a trading centre. This movement significantly influenced Latvia's cultural landscape and introduced changes in religion, ethics, education and the social sphere. The first writers, musicians, teachers and cultural workers came from the ranks of the Herrnhuter movement, or the Congregation of the Brethren. The authoress conceptualises the philosophical and cultural-historical context of public space, and analyses aspects of socio-philosophical discourse of the Herrnhuter movement. She concludes that the Herrnhuter movement shaped the public space by bringing into it common views and symbols that constructed a common social reality; by promoting the exchange of knowledge and interests; and by producing the first intelligentsia. The movement also echoed ideas of Humanism and the Enlightenment. Although the public use of mind was rather limited because ideas were disseminated in manuscript form, criticism of social themes indicates a confrontational position with regard to the state - that was something new in the public space of that time.
4
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KRAJOBRAZ KULTUROWY BIESZCZADZKIEGO PARKU NARODOWEGO I JEGO OCHRONA

80%
Holly G.
Ochrona Zabytków
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2006
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issue 2
87-98
EN
The characteristic features of the landscape of the Bieszczady National Park include a mutual penetration of elements of nature and culture. Areas representing supreme natural merits are composed of the polonina ranges (downs) and the lower mountain forests, together with their unique resources. On the other hand, superior cultural assets belong to historical landscapes in the 'land of valleys', preserving traces of old development and material culture, harmoniously inscribed into natural configurations. These traces are recorded with the help of vegetation and stones, including unkempt orchards, rows of old ash trees, balks and tracts, ancient linden trees and elms, as well as the overgrown underpinnings of cottages, manor houses or churches, either Eastern rite or Uniate, abandoned cemeteries, roadside crosses and derelict cellars. The permanent existence of a cultural landscape calls for systematic protection. A pertinent programme has been inaugurated within the Plan for the Protection of the Bieszczady National Park; its scope ecnompasses recommendations about protection, intent on, i. a. the preservation of the former structures of villages and traces of development, the protection of old trees and the retention of old names as well as rendering all those resources available for educational purposes. Particular conservation is due to roadside crosses and tombstones, whose survival is to a considerable degree imperilled. Nonetheless, it is quite possible that these souvenirs of a bygone world will be meticulously examined and subsequently preserved. The group of persons interested in the history and culture of the region is consistently growing, and the number of publications and historical iconography is on the rise.
5
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SV. CYRIL A METOD A ICH REFLEXIA V KRAJINE SLOVENSKA

70%
Nemčíková M., Krogmann A., Oremusová D., Ambrosio V., Mróz F.
Konštantínove listy
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2020
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vol. 13
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issue 1
224 - 236
EN
The formation of the Cyrillo-Methodian tradition in our history has an impact on the cultural landscape. The aim of the paper is a spatial identification of the cult of Sts. Cyril and Methodius as well as the study of its impact on the landscape of Slovakia. The first step is to identify tangible and intangible features, or, more precisely, cultural landscape elements. In Slovakia, we register in connection with Sts. Cyril and Methodius more than 120 sacral objects (churches, chapels, exterior sculptures). These, together with profane objects (schools, medical facilities) and intangible elements (e.g. street names, squares, organized events), are involved in the transformation of cultural, or, more precisely, religious landscape. The largest number of sacral objects arose after 1989, in the process of modern sacralisation of the landscape, which is typical of countries with renewed religious freedom.
6
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Historická krajina a institut krajinného rázu. Možnosti ochrany dochovaných znaků historické krajiny formou ochrany krajinného rázu dle §12 zákona 114/1992 Sb. o ochraně přírody a krajiny

70%
Kupka J.
Historická geografie (Historical Geography)
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2009
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vol. 35
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issue 1
7-26
EN
Historical cultural landscape as a part of the cultural heritage deserves due protection which is provided by a number of tools available to government agencies operating in the field of monument preservation and nature and landscape preservation. The institute of landscape character seems to be extremely important since it is a tool for large–scale preservation of landscape character. The paper deals with the wals of preservation of the landscape character and documents them on specific examples of assessment of various types of territory from 2007–2009.
7

HAUNTED LANDSCAPES. POST-SOCIALIST MEMORY LIMBO OF CONTEMPORARY POLAND

61%
Czepczyński M.
Mesto a dejiny
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2016
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vol. 5
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issue 2
68 – 79
EN
Post-communist landscapes are undergoing continuous process of transformations, more dynamically than many others types of cultural landscapes. One interpretation is followed by another reinterpretation; from the early festive anti-communist cleansings, thought discreet minor re-interpretations, infused by local and national political transformations, to contemporary ‘deep peeling’ or second wave of landscape purges. It looks like, contrary to the progressive van Gennep model of liminality, tradition oriented Polish society has been stacked up in a liminal limbo, unable or/and unwilling to go further and forget or assimilate the real or alleged communist landscapes. Since the 2016 election and the rise of populist-right powers, the Polish landscape has been haunted by the ghosts of communist past and it became clear that the past is still lives here now. New landscape modes of interpretations has been imposed and the spectre of communism, as Marx said almost 170 years, is still haunting over Central and Eastern Europe.
8
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Urban landscape in the period of industrialization

61%
Kupka J.
Historická geografie (Historical Geography)
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2012
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vol. 38
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issue 1
143-164
EN
The period of industrialization brought with it important changes in the life of our cities. A host of negative influences related to the growth of industries sparked a critique of urban development, which led, in turn, to a renewed interest in urban landscape, greenery and nature. In the course of the 19th century, public greenery of a modern type emerged as a reaction to the worsening of environmental conditions in the cities. In addition, the importance of highquality suburban nature for life in the city came to be appreciated.
9
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Historicko-krajinný rámec v kompozici města

61%
Kupka J.
Historická geografie (Historical Geography)
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2010
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vol. 36
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issue 1
51-72
EN
The landscape frame is vitally important for every town landscape (namely the geomorphology and micro-morphology of the terrain, rivers and lakes, the vegetation and the weather conditions). The landscape features predetermine the location of a town; they influence the functional arrangement of the town, determine the directions of its development and are reflected in the space composition. They are significantly reflected in the town composition, complete it, and influence the town interior and exterior (the skyline). The paper deals in detail with the relationship between the relationship of the terrain and the town composition and presents a potential typology of situations in this relationship.
10

PIPE ORGAN AND ORGAN MUSIC IN POLAND AS A PART OF WORLD HERITAGE

61%
Bernat S.
Muzeológia a kultúrne dedičstvo
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2022
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vol. 10
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issue 2
23 - 42
EN
The pipe organ, as a musical instrument and an important object of cultural heritage, has been gaining increasing interest from the international community in recent years. This paper aims at examining the possibilities of preserving organs and organ music in Poland in an international context. As a part of the study, an analysis of UNESCO lists was conducted. Furthermore, the organ-building assets in Poland and tourist products developed on their basis (including cultural trails dedicated to organs and organ museums) were studied. Attention was drawn also to other sites and forms of the organ of possible interest to tourists, and to the functioning of organ festivals during the COVID-19 pandemic and virtual organ projects implemented in that period. In addition, public awareness concerning the organ in Poland and Europe as well as organ festivals and other associated tourist products was examined. Finally, actions aimed at preserving Poland’s organ heritage were proposed with reference to practices in other European countries. It was concluded that one of the possible ways to integrate the conservation of organ heritage is a comprehensive approach through the landscape. Organs and their music also form a part of the local landscape, both as landforms reminiscent of the instruments and as artistic installations and sounds, shaping a sense of local and regional identity. It is also very important to engage in cross-border cooperation (including an exchange of good practices) and educational projects with regard to the safeguarding of organ heritage.
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