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1

FROM OBSCURE POETS TO THE SACRIFICED LAMB OF THE KINGDOM OF CONTEMPORARY CHINESE POETRY

100%
Rong Y.
Asian and African Studies
|
2005
|
vol. 14
|
issue 1
56 - 65
EN
The aim of this study is to point out the impact of the biblical themes on the poetry of Hai Zi (1964-1989), one of the most productive and influential poets of the Chinese literature of the time after the Cultural Revolution. He was a mythopoetic poet and his poetry presents a good paradigm of Sino-Western and Sino-Hebrew interliterary process in China of the 1980s.
2

The Decade of Fear

100%
Helman A.
Kwartalnik Filmowy
|
2008
|
issue 61
123-136
EN
The Cultural Revolution (1966-1976) - one of the greatest tragedies experienced by the Chinese people, caused great losses and permanent changes in the political, social, cultural and the moral sphere of life. It devastated the great material and spiritual legacy of the traditional Chinese culture. The authoress of the article presents the echoes of this period in the films of the most important representatives of the fifth generation: Chen Kaige (Farewell my Concubine, 1993), Tian Zhuangzhuang (The Blue Kite, 1993) and Zhang Yimou (To live, 1994). Through the analysis of particular scenes, Helman points to the fact that these films do not speak directly about what happened during the Cultural Revolution, as of course this topic was strongly disapproved of by the Chinese state. That is why Cultural Revolution is barely a back drop for the lives of the main characters of the films. According to the authoress, the strength of these films lies in their many verbal allusions, subtexts, and a complex network of icons and meanings, that are also readable for the Western viewer, who is neither Chinese nor aware of the history of the Chinese nation.
3

TANG YIJIE: CONTEMPORARY CHINESE NEW CONFUCIANIST

75%
Gálik M.
Asian and African Studies
|
2018
|
vol. 27
|
issue 2
111 – 124
EN
Professor Tang Yijie (1927 ̶ 2014) was one of the most prominent philosophers of the PRC after the “Cultural Revolution” (1966 ̶ 1976). He was the leading representative of New Confucianism, the main trend in Chinese philosophy of the 20th and (beginning of the) 21st centuries. This essay points out mainly the author’s personal reminiscences concerning him and his wife Yue Daiyun (1931 ̶ ) and their strain to overcome the huge impact of the ultra-leftist views of the period 1949 ̶ 1978, which made all scholarly development in the humanities impossible. It is mostly about our meetings, correspondence, discussions and the facts often unknown to other scholars, but also within the possibilities of a short review presenting his life and work.
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