Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 4

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  CZESŁAW MIŁOSZ
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1

Marksizm w rozumieniu Czesława Miłosza

100%
Tuz-Jurecka E.
Prace Literackie
|
2011
|
vol. 51
109-116
EN
The article presents Marx’s and Engels’ views on nature and history, as well as the views of the Polish Nobel laureate on Marxism. Miłosz remained under the spell of the Marxist way of understanding the world for quite a long time. The notions that the reality on the move is a constant struggle, that history is the process of human self-fulfilment and extension of nature were very close to him. In the 1930s, the author of The Captive Mind remained “musical” to Marxism. Later, he would consistently analyse it, revealing it as weak and evil. He was never comfortable with leftist totalitarianism. He always rebelled against the “metaphysics” of Marxism-communism and “letting the devil in by the side entrance,” i.e. replacing God with history, with the doctrine of its all-powerfulness, despite being, after all, convinced that history, just as nature, was governed by iron historical necessity and that the universal killed the particular. When analysing the effects of the overwhelming influence of the “snowballing force” of history on the individual, he tried to capture “the eternal moment” in the “movement” and attempted self-definition in the river of time.
2

Tłumacz i Poeta. „Plastycznie i bezpośrednio”

100%
Makarska R.
Białostockie Studia Literaturoznawcze
|
2013
|
vol. 4
259-263
EN
The article discusses the collection of correspondence between Karl Dedecius and Czesław Miłosz. This edition shows, on the one hand, Dedecius’s work style, interpreting poetics and role in popularizing the Polish poet’s work in Germany. On the other hand, it presents Miłosz as a translator. The author draws attention to the fact that the project “Dedecius-Miłosz” is patronized by the Dedecius Archive at the Słubice Collegium Polonicum, which collects materials interesting for researchers of translation practices and literary communication between authors and translators.
3

Juliusz Tadeusz Kroński — "heglowskie ukąszenie

100%
Tuz-Jurecka E.
Prace Literackie
|
2010
|
vol. 50
103-113
EN
Juliusz Tadeusz Kroński — “Hegelian bite” examines intellectual relations between Czesław Miłosz, a poet, and Juliusz Tadeusz Kroński, a Hegelian, relations that influenced the poet’s historical sense. The poet was fascinated by his friend who in 1943 was by no means a “ritual mourner” and whose political attitude was different from the one imposed by Polish society during the Second World War. Kroński taught Miłosz to be ironic and distant, but this fascination changed into rejection when he became a follower of the New Faith. Kroński’s attempts to persuade Miłosz to accept the new political system and abandon reactionary beliefs only deepened the conflict between the two friends. However, thanks to Kroński and his theories Miłosz was able to look critically at the ahistoric America and its capitalist temptations. He looked for his own path between movement and persistence, and confronted the historical perspective with the perspective of individual self.
4

DOLINA ISSY: AUTOBIOGRAFIA DUCHOWA I „FILM-WSPOMNIENIE”

63%
Rezoničnik L.
Motus in verbo: časopis mladej vedeckej generácie
|
2017
|
vol. 6
|
issue 2
33 – 41
EN
The article deals with the novel The Issa Valley, written by the Nobel laureate in literature Czesław Miłosz, and its eponymous film adaptation by film director Tadeusz Konwicki. Both authors were born in the region of today’s Lithuania, which, with its intact natural environment and ancient folk beliefs, left a strong mark on their childhoods. In the present novel or film, the authors narrate their childhood through fragmentary memories, which are transformed by fiction, and through representations of thoughts: while Miłosz narrates his own childhood, Konwicki transforms the novel into film and shows the story through audio-visual images, at the same time also exposing himself in the role of author. With a chronotope analysis, and based on the anthropological-morphological method of film analysis, the contribution presents the methods of verbal and audio-visual representation of an adult-narrator memory on the landscape of his home region and on the time of childhood as well as defining the discussed works with the categories spiritual autobiography and „film-memory”.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.