Search results

1

Skąd przyfrunął "Skowronek" Andrzeja Niemojewskiego

100%

Mosakowski J.

Jednak Książki. Gdańskie Czasopismo Humanistyczne

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2015

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issue 4/2015 O Młodej Polsce mniej znanej

153-170

EN

The contents of the article constitute hypothesized ponderings on the potential source of the appearance of a skylark theme at the Calvary in one of the stories of Andrzej Niemojewski from the collection of short stories entitled "Legends".

2

Rola miasta w tradycji nabożeństwa drogi krzyżowej

100%

Bednarczyk M.

Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica

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2014

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vol. 2

62-75

EN

The motion, which is the main idea of the Way of the Cross, needs space to occur. Jerusalem became a pattern that was imitated across the world by the Calvary Foundation. In accordance with the utopian theory, the sanctuaries combine the characteristics of a garden and a city. Calvary creates a new space which can be deemed artificial because it transfers urban solutions into natural environments. The city of everyone can also create a space that is involved in the Way of the Cross. Religious manifestations that accompany the celebrations of the Good Friday cause that the tradition of the Passion is still alive, and give new meanings to the new areas across which the procession leads.

3

Polskie pieśni pielgrzymkowe i kalwaryjskie

86%

Grochowski P.

Łódzkie Studia Etnograficzne

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2016

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vol. 55

PL

W artykule tym podjęto próbę opisu pieśni pielgrzymkowych, jako specyficznego gatunku tekstów wykonywanych przez pielgrzymów w trakcie wędrówki i podczas pobytu w sanktuariach. W pierwszej części omówiono dotychczasowe sposoby definiowania pieśni pielgrzymkowych oraz przedstawiono propozycję nowej definicji odwołującej się do elementów tekstowych, w których uwidacznia się specyficzny kontekst wykonawczy omawianych utworów. W drugiej części artykułu zaprezentowano szczegółową analizę tekstowych wykładników sytuacji wykonawczej, wskazujących na róże etapy pielgrzymki i różne działania pielgrzymów. Ostatnia część poświęcona jest analizie funkcji pieśni pielgrzymkowych w kontekście teorii procesów społecznych Victora Turnera. Analizy prowadzą do wniosku, że w szerszej perspektywie główna funkcja pieśni pielgrzymkowych polegała na kreowaniu określonych zachowań i sposobów myślenia pielgrzymów oraz na ochronie i stabilizowaniu podstawowych struktur społecznych, które na czas pielgrzymki ulegały zawieszeniu bądź rozluźnieniu.

EN

The paper describes songs performed by pilgrims on their way to sanctuaries and during their stay there, presenting them as a specific genre of texts. In the first part of the paper, the author discusses the way pilgrimage songs were understood in earlier works. Furthermore, he proposes their new definition, referring to these elements of the texts which demonstrate the specific context in which the songs were performed. In the second part of the paper, the author analyses in detail textual signs which indicate various activities undertaken by pilgrims and refer to the stages of their journey. Finally, he focuses on the functions of pilgrimage songs and analyses them in the context of Victor Turner’s theory of ritual process. The conclusion of the analysis is that in a broad perspective, the main function of these songs was to create certain behaviours and ways of thinking, as well as to protect and stabilise the fundamental social structures which were temporarily loosened or suspended during pilgrimage.

4

Sztuka w służbie „geografii zbawienia” — uwagi o projekcie i początkach budowy kalwarii plenerowej w Szarogrodzie na Podolu

72%

Moryc J. C.

Roczniki Kulturoznawcze

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2017

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vol. 8

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issue 4

145-176

PL

Organizowany od 2008 r. przez franciszkanów w ukraińskim mieście Szarogrodzie na Podolu ośrodek pielgrzymkowy – Kalwaria franciszkańska jest wzorowany na idei kalwarii jerozolimskich. Franciszkanie, którzy w nowej rzeczywistości politycznej i państwowej powrócili do pracy duszpasterskiej na Ukrainę, odwołują się do swoich sprawdzonych doświadczeń pastoralnych. Jest to promocja pobożności pasyjnej, przeżywanej w duchu franciszkańskim. Artykuł przedstawia genezę i potrzebę budowy sanktuarium pasyjnego na bezprecedensową skalę.

EN

The article focuses on the artistic concepts of the outdoor pilgrimage centre in Sharhorod in the broad context of the Franciscan passion tradition and the history as well as the culture of Sharhorod, which is undoubtedly a unique place. The aim of the article is to present the iconographic program of the Calvary in Sharhorod, including its integral link with the old concepts of passion centres and historical and cultural realities of the picturesque town, which never ceases to fascinate travellers and artists. A multifaceted analysis used in the study is the result of a number of methods relevant for interdisciplinary research. In addition to the interview and participant observation, which was possible due to author’s involvement in the projects for many years, the author used the analytical and comparative methods as well as the analytical and descriptive methods, the tools of which allowed the researcher to capture the essential components of traditional and contemporary Calvary centres. The article presents the rich history of Sharhorod with emphasis on recent events, especially the circumstances of the Calvary creation and the first manifestations of organized worship of the Passion. The author analysed both an overall picture of the Cavalry—a large garden of prayer and pilgrimage routes—as well as architecture and artistic vision of the internal design of individual chapels. The results of the analysis can be used in pastoral and educational work. They can also become the basis for the iconographic interpretation of the pilgrimage centre, which through an impact on the region participates in the reconstruction and creation of the Christian culture after the severe devastation caused by Communism.

5

Silence and the Audibility of the Word: Contemplative Listening as a Fundamental Act of the New Evangelization. Part 3: Christ Reveals Man to Himself on Calvary

72%

Siegmund J. M.

Studia Gilsoniana

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2018

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vol. 7

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issue 2

339-354

EN

In the third part of her arguing for contemplative listening as a fundamental act of the new evangelization, the author shows that the concrete place where the anthropological and theological dimensions of listening converge is at the foot of the Cross. Man discovers the truth of his being as silent listener in his encounter with Christ by standing with Mary under the Cross, which is the place where, with her, he participates most fully in Christ’s eternal being as Listener; as such, he becomes a participated revelation of that act, thus making Christ audible to the world in what thereby becomes the basic exercise of the new evangelization.

6

Poświęcić niepewność – prolegomena do badań nad kinem postsekularnym

58%

Piskorska A. M.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

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2021

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vol. 30

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issue 39

47-66

EN

This article undertakes the issue of defining film phenomena which put forward questions of a primary religious nature (about the meaning of life, source of evil, life after death, the existence of Absolute, etc.) in a way that is independent from major religious traditions. The author posits that describing this phenomenon in the case of European film culture is done best by employing the philosophical thought of postsecularism. Utilizing Mieke Bal’s method of cultural analysis, the author takes as an example the term “sacrifice” to point to the existence of different models by which religious topics are undertaken by the cinema. This leads to a preliminary typology of the phenomenon which differentiates between ‘apologetic’ and ‘critical’ films and, furthermore, between films that refer to particular religious traditions and those expressing a postsecular perspective.

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1 Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica

1 Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

1 Jednak Książki. Gdańskie Czasopismo Humanistyczne

1 Roczniki Kulturoznawcze

1 Studia Gilsoniana

1 Łódzkie Studia Etnograficzne

1 2021

1 2018

1 2017

1 2016

1 2015

1 2014

1 Bednarczyk M.

1 Grochowski P.

1 Moryc J. C.

1 Mosakowski J.