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Cockney w polskich przekładach Murzyna z załogi „Narcyza” Josepha Conrada

100%
Kujawska-Lis E.
Prace Językoznawcze
|
2011
|
issue 13
141-155
EN
The Nigger of the “Narcissus” is a novel in which linguistic differentiation plays an important role in identifying particular characters, and in contributing to their verisimilitude. Linguistic polyphony provides the reader with information concerning social status and geographical origin of the novel’s characters. A prominent role is given to the anti-hero – Donkin, an East-End Londoner, who appropriately speaks cockney. The author does not attempt to stylize Donkin’s speech in order to reconstruct all the? features typical of this language variety. He mostly employs phonological features to signal Donkin’s cockney utterances. Despite the fact that both Polish translations introduce linguistic varieties into their texts, the outcomes are not as successful as those featured in the original. The first reason is that both Lemański and Zieliński use colloquialization to reconstruct Donkin’s speech, a procedure they also employ with respect to the? other characters representing the lower class. Consequently, Donkin’s speech is clearly differentiated from the standard English used by the narrator, but not from other sailors. The second reason is that lexical stylization is frequently absent as it strongly depends on the subject-matter of the message; whereas in the original, graphological forms are introduced more consistently as they are independent of/on? what Donkin talks about. Finally, lexical colloquialization, while pointing to the social status of a character, cannot provide target readers with any additional information implied by the very fact of using cockney not only for purposes of emphatic loudness, vigorous body language, attentioncatching utterances, but also as indicative of the manifestations of arrogance, insolence and impertinence.
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Polski punk rock po angielsku – socjofonetyczne aspekty stylu wykonawczego

100%
Konert-Panek M.
Forum Poetyki
|
2022
|
issue 27
58-75
EN
The paper analyzes the functioning of selected English phonetic features and inspirations related to them in Polish punk rock, and interprets the results in a broader stylistic and sociolinguistic context. It is based on the thesis that pronunciation in singing is often connected to expressing specific, potentially evolving social or stylistic meanings, and in the case of Anglophone Polish punk rock these meanings depend on trends within the genre. In most analyzed cases, English pronunciation displays a lot of interference from Polish and an unstylized sound, while features associated with Cockney are quite rare.
PL
Głównym celem artykułu jest zbadanie sposobu funkcjonowania wybranych angielskich cech fonetycznych oraz inspiracji z nimi związanych w polskim punk rocku oraz usytuowanie wyników analizy w szerszym kontekście stylistycznym oraz socjolingwistycznym. Zgodnie z przyjętą tezą sposób wymowy w śpiewie może łączyć się z przekazaniem określonych – potencjalnie ewoluujących – znaczeń społecznych bądź stylistycznych, a w przypadku anglojęzycznego polskiego punk rocka znaczenia te zależne są od nurtów omawianego gatunku. Wymowa większości wykonawców charakteryzuje się wyraźnym wpływem języka polskiego i niewystylizowanym brzmieniem, a cechy cockneya kojarzone z klasycznym punkiem pojawiają się rzadko.
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