Search results

1

Rzeźbiarz i filozof. Constantin Brâncuşi w interpretacjach Constantina Noiki

100%

Zawadzki A.

Przestrzenie Teorii

|

2018

|

issue 29

EN

The article Sculptor and philosopher deals with the Romanian thinker Constantin Noica’s interpretations of Constantin Brâncuşi’s work. These interpretations are presented with regard to Noica’s philosophical concepts, in particular his reflections on Romanian culture and the sense of being manifested within it. Of fundamental importance in his interpretations is the category of becoming within being – the most important idea developed by Noica and which he applied in many fields of philosophy.

PL

The article Sculptor and philosopher deals with the Romanian thinker Constantin Noica’s interpretations of Constantin Brâncuşi’s work. These interpretations are presented with regard to Noica’s philosophical concepts, in particular his reflections on Romanian culture and the sense of being manifested within it. Of fundamental importance in his interpretations is the category of becoming within being – the most important idea developed by Noica and which he applied in many fields of philosophy.

2

Stawanie się ku bytowi

99%

Noica C.

Przestrzenie Teorii

|

2018

|

issue 29

EN

Brâncuşi’s sculpture “Endless Column” in Târgu Jiu was interpreted by Constantin Noica as an artistic expression of the ontological vision characteristic of the Romanian sense of being. It brings together two great philosophical categories, traditionally seen as mutually exclusive: static being and dynamic becoming. Noica proves that Brâncuşi’s sculpture is unique in the way it illustrates “becoming into being” (Romanian = Devenirea întru fiinţa), the fundamental term in Noica’s ontology.

PL

Brâncuşi’s sculpture “Endless Column” in Târgu Jiu was interpreted by Constantin Noica as an artistic expression of the ontological vision characteristic of the Romanian sense of being. It brings together two great philosophical categories, traditionally seen as mutually exclusive: static being and dynamic becoming. Noica proves that Brâncuşi’s sculpture is unique in the way it illustrates “becoming into being” (Romanian = Devenirea întru fiinţa), the fundamental term in Noica’s ontology. Przełożył Andrzej Zawadzki.

3

Esej o Rozważności Ziemi Constantina Brâncuşiego

86%

Noica C.

Przestrzenie Teorii

|

2018

|

issue 29

EN

Constantin Noica treated Brâncuşi’s sculpture “The Wisdom of the Earth” (Cuminţenia pământului) in the same way he did “Endless Column”, as an artistic expression of the ontological vision characteristic of the Romanian sense of being. It brings together two great philosophical categories, traditionally seen as mutually exclusive: static being and dynamic becoming. Noica proves that Brâncuşi’s sculpture is unique in the way it illustrates “becoming into being” (Romanian = Devenirea întru fiinţa), the fundamental term in Noica’s ontology.

PL

Constantin Noica treated Brâncuşi’s sculpture “The Wisdom of the Earth” (Cuminţenia pământului) in the same way he did “Endless Column”, as an artistic expression of the ontological vision characteristic of the Romanian sense of being. It brings together two great philosophical categories, traditionally seen as mutually exclusive: static being and dynamic becoming. Noica proves that Brâncuşi’s sculpture is unique in the way it illustrates “becoming into being” (Romanian = Devenirea întru fiinţa), the fundamental term in Noica’s ontology. Przełożył Andrzej Zawadzki.

Refine search results

3 Przestrzenie Teorii

2 Noica C.

1 Zawadzki A.

3 2018

Rzeźbiarz i filozof. Constantin Brâncuşi w interpretacjach Constantina Noiki

Stawanie się ku bytowi

Esej o Rozważności Ziemi Constantina Brâncuşiego