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„Zbrodnia i kara” Fiodora Dostojewskiego w ujęciu doktryny eurazjatyckiej Aleksandra Dugina

100%
Bala M.
Kultury Wschodniosłowiańskie - Oblicza i Dialog
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2017
|
issue 7
9-22
PL
The present article amounts to an attempt to analyze the work Axe is the name of mine by Alexander Dugin - a theorist of Eurasianism ideology in Russia. In this article Dugin touches upon the novel Crime and Punishment by Fyodor Dostoyevsky. Dugin analyzes the novel in the context of cultural opposition between the orthodox Russia and the secular Western Europe, whose symbol is the capital of the Russian Empire- Saint Petersburg. The city in this case is the negation of the orthodox tradition of Moscow - The Third Rome. Dugin extremely relativized the meaning of Dostoyevsky‘snovel.
2
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Proza rosyjska na scenach polskich po roku 1989. Zbrodnia i kara Fiodora Dostojewskiego

100%
Semczuk M.
Acta Polono-Ruthenica
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2009
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vol. Tom 1 Nr XIV
245-252
EN
Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Raskolnikov, who strives to be an extraordinary being, believing that murder is permissible in pursuit of a highter purpose. The following paper focused on the analysis of work by the two types playwrights, based on Crime and Punishment.
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Językowy obraz miłości w ujęciu translatorycznym (na podstawie „Zbrodni i kary” Fiodora Dostojewskiego)

75%
Nawacka J.
Acta Neophilologica
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2020
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vol. XXII/1
127-148
EN
Emotions and feelings, which determine mental experiences and activities of individuals, find their reflection in literary works. Love manifests itself externally as a behaviour of an individual, including the language he or she uses to communicate. The article constitutes an attempt to present the linguistic image of the world embodied in a Polish translation from Russian. For that purpose the research material was excerpted from Crime and Punishment, a novel by Fyodor Dostoyevsky.
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Zbrodnia Raskolnikowa – wieczna zagadka

65%
Kruszelnicki M.
Poznańskie Studia Slawistyczne
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2017
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issue 13
EN
The article focuses on one of the major mysteries concealed in Fyodor Dostoevsky’s oeuvre up to the present day, namely the main cause of a double murder committed by Raskolnikov in Crime and Punishment. I present selected scholarly interpretations of Raskolnikov’s deed, some of them being already classical and ever inspiring for subsequent readings of the novel, some using extremely persuasive argumentation on one of Raskolnikov’s possible motives. Each of these readings becomes an object of my commentary and critical assessment as I indicate those fragments in Dostoevsky’s novel which undermine their claim to provide an ultimate solution of Raskolnikov’s reason for crime. This presentation leads to the conclusion that Crime and Punishment is unusually open for interpretations, which probably have more to say about the philosophical identity of their authors rather than about Dostoevsky’s intentions in creating his famous protagonists. Eventually I claim that the novel’s main secret – Raskolnikov’s motive for murder – is never to find its one, satisfactory explanation and that this is what makes a literary work a true, immortal masterpiece.
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