Search results

1

Okrugli stol o Matku Peiću, Požega, 25. veljače 2011.

100%

Aladrović Slovaček K.

Libri & Liberi

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2012

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vol. 1

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issue 1

143

HR

Izvještaj o "Okrugli stol o Matku Peiću" koji je Zavod za znanstveni i umjetnički rad Hrvatske organizirao u Požegi, 25. veljače 2011. godine.

EN

A report on The Round Table about Matko Peić, held in Požega, Croatia, 25 Feb 2011.

2

Inny Zagrzeb. Transformacje obrazu miasta w chorwackiej prozie fantastycznej po 1991 roku

100%

Wojtaszek A.

Creatio Fantastica

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2018

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issue 1(58)

109-119

EN

Croatian speculative fiction in the last quarter of the century has been dominated by the city of Zagreb. There are three anthologies depicting the capital of Croatia and visions of its future: Zagreb 2004 (1995), Zagreb 2014 (1998) and Zagreb 2094 (2004). Also, in Croatian dystopian fiction, the popularity of which has grown rapidly since 2010, the city becomes a metaphor for the problem of exclusion and deep inequalities between the centre and the periphery. The changes in the literary image of Zagreb over the last twenty-five years illustrate not only the changing perception of an urban space and different ways of experiencing the city by writers, but also depict the evolution of speculative fiction in Croatia by distinguishing its most important elements: the growth of the importance of local motifs and places, as well as blurring the rigid genre boundaries and the evolution towards the so-called slipstream fiction. Thanks to the analysis of literary images of Zagreb, questions about the attitude of fantasy literature of that time towards the main contemporary issues can be raised. The article finally offers a possibility to define either the subversive or conciliatory character of fantasy works in the context of the most dominant ideologies of that time.

3

Granice wewnątrz granic. Nowy regionalizm we współczesnej literaturze chorwackiej

100%

Boguska A.

Slavia Meridionalis

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2016

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vol. 16

EN

Borders within borders: A new regionalism in contemporary Croatian literatureThe article is an attempt at a synthetic presentation of Croatian literature researchers’ reflection about regionalism in the twentieth and the beginning of the twenty-first century. The author observes that there is a tendency to see Croatian literature as one that produces two different models of texts in terms of poetics and philosophy – the northern, which is “Central European,” and the southern, which is “Mediterranean.” She then examines the coherence of the “ideal types” delineated by researches according to the themes and literary devices utilised, based on two short stories from 2006, by writers one of whom is from the northern and the other – from the southern part of the country. Granice wewnątrz granic. Nowy regionalizm we współczesnej literaturze chorwackiejArtykuł jest próbą syntetycznej prezentacji refleksji chorwackich badaczy literatury na temat regionalizmu w XX i na początku XXI wieku. Autorka wskazuje na istnienie tendencji do postrzegania chorwackiej literatury jako realizującej dwa odmienne – północny tj. środkowoeuropejski oraz południowy tj. śródziemnomorski – modele tekstów w zakresie poetyki i filozofii, a następnie na podstawie dwóch opowiadań z 2006 roku, napisanych przez pisarzy z Północy i Południa, sprawdza przystawalność nakreślonych przez badaczy „typów idealnych” do materiału literackiego.

4

India in the Imagination of 20th and 21st Century Croatian Literature

88%

Molvarec L.

Poznańskie Studia Slawistyczne

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2022

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issue 23

93-110

EN

The purpose of this paper is to study perceptions of India in three literary works, from the 20th and 21st century. The first part looks into the tenets of postcolonial theory and literary imagology as a possible methodological framework. Subsequently, premodern perceptions of India in the Croatian literary and cultural space are summarised. The central analysis focuses on the historical novelJaša Dalmatin (Jaša Dalmatin, Viceroy of Gujarat) by Ivana Brlić-Mažuranić, the travelogue U potrazi za staklenim gradom (In Search of the Glass City) by Željko Malnar and Borna Bebek, and the short story Indija (India) by Bekim Sejranović. The analysis demonstrates that each of these writings reconstructs premodern perceptions to some extent, but primarily introduces new perceptions that are linked to the specific social, cultural and ideological context in which these works were written. This indicates that literary perceptions are at the same time always acts of literary fiction as well as a socially and culturally construed production of meaning.

5

„Kao misnik” i „kao Turci iz Smail-age”. Funkcja pokarmów w nowoczesnej i ponowoczesnej narracji Lepszej połowy odwagi Ivana Slamniga

87%

Pieniążek-Marković K.

Poznańskie Studia Slawistyczne

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2017

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issue 13

EN

In the novel entitled The Better Half of Courage, Ivan Slamnig elaborates on two types of narrative namely, a traditional internal story derived from the poetics of realism and a postmodern frame story streaked with the elements of the jeans prose. In the article, culinary motifs presented in both narratives are taken into consideration in order to expose their function in Slamnig’s novel. The article also tries to answer the question whether the dietary code is subordinated to the both forms of discourse. The analysis of the culinary themes reveals a process of braking off with tradition in the so-called traditional narrative, and attempts of retaining tradition in the postmodern narrative. In consequence, an apparently traditional modern pilgrim, who does not respect the order of traditional rituals and remains cautious in his consumption behaviour, turns out to be condemned to painful results of his choices while a postmodern vagrant as an unfulfilled consumer-glutton keeps drawing from tradition as well as from the present day what provides him with various pleasures. Furthermore, the analysis of the culinary code of the novel allows the authoress to confirm a thesis on the presence of postmodern effects in the both “parts” of the novel.

6

Bezradność słów. Ante Kesicia „fikcja” o Zagładzie

87%

Czerwiński M.

Poznańskie Studia Slawistyczne

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2017

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issue 12

61-77

EN

In the article one book written by the Croatian author, Ante Kesić, is taken into consideration. The novel Black Snow, published in 1957, narrates about a Slovenian young woman, Breda, who was caught by the Germans in Ljubljana (for her contacts with communist partisans) and sent to the Dachau Concentration Camp. Although not of Jewish origins she encounters the Holocaust of the Jews in the camp and gets pregnant with a Jewish artist. The novel conceptualizes tragedy of war and the Holocaust in a very experimental way, by using a range of modernist, avant-garde or even surrealist literary techniques. The author attempts to invent a new language with a new grammar that would enable to express something that is not expressible.

7

Dubrowniczanka i Dzieciątko Jezus. O pobożności i kulcie małego Jezusa w twórczości Anicy Bošković

76%

Borowiec A.

Poznańskie Studia Slawistyczne

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2018

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issue 15

EN

The article is concerned with the Infant Jesus cult in the life and work of Anica Bošković (1714––1804), one of a few Croat women authoresses of Dubrovnik in the century of Enlightenment. The Infant Jesus cult was linked in the past in Croatia with Franciscan communities, in older Polish culture, too. The family Bošković had a little figure of Infant Jesus named Bambin, beloved by all the people and famous by miracles. Anica Bošković wrote about Him many time: her deeply implanted devotion reflects in letters to her brother Ruđer, in her last will and in her poetic works, especially in Razgovor pastirski vrhu porođenja Gospodinova. Anica Bošković has conceived a preface to this work – letter dedicated to her brothers Ruđer and Baro, in which speaks about her inspirations and dreams. This work is a concept of construction of inner world of every woman who wants to love God more then other people. Poetic world of Anica Bošković reflects her faith, fantasy and it is built on hard religions and moral foundation.

PL

The article is concerned with the Infant Jesus cult in the life and work of Anica Bošković (1714–1804), one of a few Croat women authoresses of Dubrovnik in the century of Enlightenment. The Infant Jesus cult was linked in the past in Croatia with Franciscan communities, in older Polish culture, too. The family Bošković had a little figure of Infant Jesus named Bambin, beloved by all the people and famous by miracles. Anica Bošković wrote about Him many time: her deeply implanted devotion reflects in letters to her brother Ruđer, in her last will and in her poetic works, especially in Razgovor pastirski vrhu porođenja Gospodinova. Anica Bošković has conceived a preface to this work – letter dedicated to her brothers Ruđer and Baro, in which speaks about her inspirations and dreams. This work is a concept of construction of inner world of every woman who wants to love God more then other people. Poetic world of Anica Bošković reflects her faith, fantasy and it is built on hard religions and moral foundation.

8

Avangarda poslije avangarde u hrvatskoj poeziji

76%

Oblučar B.

Poznańskie Studia Slawistyczne

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2020

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issue 18

159-173

EN

The article discusses the problem of the avant-garde in Croatian poetry during the second half of 20th century. It supports the thesis about the continuity of the avant-garde before and after World War II, and perceives the artistic and literary experiments of the neo and post-avant-garde as a part of a long avant-garde tradition. The analysis brings forward the different perceptions of avant-garde in the works of Radovan Ivšić and Josip Sever, and post-avant-garde poets of 1970s and 80s.

9

Bibliografia przekładów literatury chorwackiej w Polsce w 2016 roku

75%

Gverić Katana P.

Przekłady Literatur Słowiańskich

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2017

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vol. 8

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issue 2

35-36

10

Causes and consequences of multilingualism in the contemporary Croatian literature

75%

Czerwiński M.

Rocznik Slawistyczny

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2022

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issue LXXI

11

Podporządkowani jutra. Chorwacka proza dystopijna w ujęciu postkolonialnym

71%

Wojtaszek A.

Porównania

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2016

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vol. 19

150-162

EN

In the Croatian literature, which since the collapse of Yugoslavia has been dominated mainly by neo-realistic trends, over the past few years the rapid growth of popularity of dystopia – a genre which until now almost did not occur – can be observed. The means used in the work of fiction allow for representation of the present-day negative trends at the system level, without the need to present individual epiphenomena. Methodological tools, used for the analysis of the literature presented in this article, are provided by the postcolonial reflection, and the key operational tools used in the proposed interpretation of the Croatian dystopian fiction are categories of exclusion, subordination and authority, derived directly from the philosophy of Michel Foucault and the works of his continuator – Giorgio Agamben, as well as the issues connected to the relations and deep divisions between the center and the peripheries, the epistemic violence and the post-colonial discourse.

PL

W literaturze chorwackiej, która od czasu rozpadu Jugosławii zdominowana była głównie przez tendencje neorealistyczne, na przestrzeni kilku ostatnich lat zaobserwować można gwałtowny rozkwit popularności dotychczas prawie nieobecnej dystopii. Zakres środków, którymi posługuje się fantastyka, umożliwia prezentację negatywnych tendencji współczesności na poziomie systemowym, bez konieczności przedstawienia jej poszczególnych epifenomenów. Narzędzi metodologicznych do analizy zaprezentowanych w niniejszym artykule utworów dostarcza refleksja postkolonialna, zaś kluczowymi narzędziami operacyjnymi w proponowanej interpretacji chorwackiej prozy dystopijnej są kategorie wykluczenia, podporządkowania i władzy, zaczerpnięte przede wszystkim z filozofii Michela Foucaulta oraz z prac kontynuatora jego myśli – Giorgio Agambena, a także kwestie relacji i głębokich podziałów pomiędzy centrum a peryferiami, przemocy epistemicznej oraz dyskursu postkolonialnego.

12

Krugowcy o Matošu

65%

Wyszogrodzka-Liberadzka N.

Poznańskie Studia Slawistyczne

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2014

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issue 7

EN

Antun Gustav Matoš, central figure of Croatian Modernism became an icon and a legend yet in life, which, after the artistʼs death, only strengthened and his influence on the further shape of Croatian literature is difficult to deny. On the other hand, he is not the very often mentioned author the literary journal „Krugovi”, and also he is not considered in the first row of the most influential literary patterns for this generation of writers. However, Antun Gustav Matoš’s image that emerges from the pages of „Krugovi”, although incomplete and fragmentary, is extremely interesting. Young writers attempted to comprehensively educate their literary model reader, so they drew attention to artists who were the most valuable for the native literary tradition. Understanding and acknowledging the importance of his achievements and well-deserved place in the history of Croatian literature, young artists were able, however, to an analytical and critical approach, in the majority of cases presenting a solid argument, not limited to duplication of hackneyed slogans.

13

Život kao artefakt: Matoševo autorstvo. Povodom knjige Dubravke Oraić Tolić Čitanja Matoša

65%

Protrka Štimec M.

Poznańskie Studia Slawistyczne

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2014

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issue 7

EN

Paper deals with a conception of Antun Gustav Matoš authorship, regarding his own definition of his life as a work of art. Performing his authorship in a variety of literary texts, letters and notices, he lived in extremes, being flaneur, dandy and a bohem, world traveler and a nationalist ideologist, what influenced reception of his work until recent period. Critical and historiographic, as much as other literary works related to AGM follow this „author-centered” positions regarding his life as a work of art, as much as his literary texts as a reflection of his life. Latest Croatian „Matosiana” book, Dubravka Oraić Tolić̕ Reading Matoš (Čitanja Matoša, 2013), attests some traditional critical assumptions regarding authorship of this canonical writer end expands them in a new context. Different theories of literary canon formation, especially those grounded on feminist or psychoanalytical approach, call in question usual strategies in creation and understanding AGMs authorship, aestheticism and anti-modernism.

14

Miljenko Jergović w Polsce i o Polsce — na marginesie komentarza do powieści Wilimowski

63%

Kurtok A.

Przekłady Literatur Słowiańskich

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2017

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vol. 8

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issue 2

37-49

HR

U članku se sintetično ukazuje književnu nazočnost Miljenka Jergovića u Poljskoj te se pregledava poljske prijevode njegovih djela. Predstavlja se Jergovićeve veze s Poljskom, npr. njegovu suradnju s Magdalenom Petryńskom (prevoditeljicom svih poljskih izdanja njegovih romana) i njezin utjecaj na piščevu popularnost u našoj zemlji. U odnosu na to, članak se koncentrira na Jergovićevu najviše poljskom djelu — (kratkom) romanu Wilimowski. Zahvaljajući Petryńskoj roman je bio objavljen u Poljskoj u travnju 2016., što je bila svjetska premijera ove knjige u tiskanom izdanju. U članku se ukratko prezentira okolnosti izdanja poljskog prijevoda Wilimowskog, razloge piščevog interesa za Poljsku (između ostalog za naslovni lik romana — poljskog nogometaša Ernesta Wilimowskog) te recepciju knjige u Poljskoj. isto tako se ukazuju osnovne crte Jergovićevog književnog rada npr. naracijska strategija ili najčešće teme koje se pojavljuju u njegovim djelima.

EN

The article gives a brief summary of Miljenko Jergović’s literary presence in Poland. It concentrates upon the writer’s poems, short stories, novels and essays hitherto translated into Polish and published in Poland. Additionally, jergović’s manifold connections with Poland are presented, starting with the history of his cooperation with Magdalena Petryńska, who translated all of his novels into Polish. This translator’s impact on the writer’s popularity in our country is underscored. Within this scope, the article concentrates on the Jergović’s “most Polish” work, a short novel entitled Wilimowski. Thanks to Petryńska’s efforts, the book was published in Polish in april 2016, which constituted the novel’s world premiere. The article concisely addresses and describes the circumstances of Wilimowski’s several editions, concurrently discussing motives behind the writer’s interest in Poland (among others, the novel’s protagonist — a Polish football player Ernest Wilimowski), and the book’s reception in Poland. Last but not least, Jergović’s writing technique is characterized along with leitmotifs of his literary works.

15

Metamorfoza poprzez czytanie. Dwa chorwackie teksty przemiany

63%

Falski M.

Prace Filologiczne. Literaturoznawstwo

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2013

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issue 3(6) cz.2

71-85

EN

A literary text can become space for transformation of the reader. In some cases, through the impact of content and a specific form, reading becomes not only an intellectual experience based on the interpretation of the already read text, but the very act of reading is understood as an act of metamorphosis. In the article two Croatian literary works are discussed: a pastoral novel by Petar Zoranić written in the 16th century and lacrimae, an epic poem by Ivan Gundulić dating back to the 17th century. Both pieces are characterized by the use of genre conventions to show and cause the transformation of an individual. In the novel, the character experiences transformation from a young man overwhelmed by love fever into a conscious citizen-Patriot. In the epic poem, a sinner is affected by the act of repentance and tries to return to the path of God’s grace. Reading the text can become an act of transformation thanks to the use of narrative, which is conceived as a way to organize experience by a subject who identifies the literary hero’s metamorphosis with his/her own transformation in real time.

16

Dorta Jagić — poetka wolności. Komentarz do Bibliografii przekładów literatury chorwackiej w Polsce w 2014 roku

63%

Majdzik K.

Przekłady Literatur Słowiańskich

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2015

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vol. 6

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issue 2

45-55

HR

U Poljskoj 2014. godina nije obilovala izdanjima hrvatske književnosti. U kulturnim i književnim časopisima pojavilo se dvadesetak pjesama i proznih fragmenata, nešto manje eseja i dramskih tekstova. Među monografijama posebnu pozornost privlači zbirka eseja Dubravke Ugrešić Kultura karaoke, kao i izbor stihova Ivana Hercega i knjiga pjesama Dorte Jagić Kauč na trgu. Spomenuta knjiga pjesama nagrađena je na prestižnom književnom natječaju „Europski pjesnik slobode”, koji je organizirao grad Gdanjsk. Posebno je istaknut prijevod pjesama na poljski jezik Małgorzate Wierzbicke. Članak analizira izabrane stihove iz nagrađene zbirke Dorte Jagić.

EN

The year 2014 in Poland did not teem with many publications of Croatian literary works. In journals of culture and literature there were published a dozen or so poems and prose excerpts, less essays and plays. Among book publications attention should be paid to the collection of essays by Dubravka Ugresić Karaoke culture, the selection of poems by Ivan Herceg and the poetic tome by Dorta Jagić Sofa on the market. The last mentioned was awarded during the prestigious literary contest „The European Poet of Freedom” taking place in Gdańsk. Apart from the poetess the jury set the translator Małgorzata Wierzbicka apart for distinction. The article discusses selected poems by Dorta Jagić from the awarded collection.

17

Literatura chorwacka i jej polscy ambasadorzy. Uwagi do bibliografii przekładów literatury chorwackiej w Polsce w latach 2007—2013

45%

Majdzik K.

Przekłady Literatur Słowiańskich

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2014

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vol. 5

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issue 2

43-60

HR

U članku se na osnovi bibliografije prijevoda hrvatske književnosti u Poljskoj od 2007. do 2013. raspravlja o ulozi prevoditelja i urednika u međukulturalnoj i međuknjiževnoj komunikaciji. U tom su razdoblju u Poljskoj objavljene zbirke tekstova i antologije hrvatske (prije svega najnovije) književnosti. Spomenute knjige nastale su u suradnji s hrvatskim književnicima i znanstvenim istraživačima (npr. izbor iz djela Mire Gavrana ili prevoditeljski projekt Šleskoga sveučilišta pod naslovom Kroatywni) ili su, pak, rezultat samostalnog rada jednog prevoditelja (npr. antologija pjesništva G. Łatuszyńskog). Istražujući antologije hrvatske književnosti tiskane u Poljskoj i u Hrvatskoj u vremenu od 2007. do 2013. godine, nameću se pitanja književnog kanona i razlika između ideje književnosti u izvornoj i u ciljnoj kulturi.

EN

The article based on the bibliography of translations of Croatian literature in Poland from 2007 to 2013 discusses the role of translators and editors in the crosscultural and interliterature communication. During that period several texts` compilations and anthologies of Croatian literature (mostly the latest) has been published in Poland. The mentioned books are the results of the Polish‑Croatian cooperation of writers, translators as well as researchers (e.g. [1] the selection of Miro Gavran’s works or [2] the project entitled "Kroatywni" that involved Croatian and Polish researchers) or, on the contrary, they are result of independent work of one translator (e.g. the anthology of Croatian poetry by G. Łatuszyński). Investigating diverse anthologies of Croatian literature printed in Poland and Croatia from 2007 till 2013 the question of the literary canon and the difference between the idea of the literature in the original and target culture are risen.

Refine search results

Okrugli stol o Matku Peiću, Požega, 25. veljače 2011.

Inny Zagrzeb. Transformacje obrazu miasta w chorwackiej prozie fantastycznej po 1991 roku

Granice wewnątrz granic. Nowy regionalizm we współczesnej literaturze chorwackiej

India in the Imagination of 20th and 21st Century Croatian Literature

„Kao misnik” i „kao Turci iz Smail-age”. Funkcja pokarmów w nowoczesnej i ponowoczesnej narracji Lepszej połowy odwagi Ivana Slamniga

Bezradność słów. Ante Kesicia „fikcja” o Zagładzie

Dubrowniczanka i Dzieciątko Jezus. O pobożności i kulcie małego Jezusa w twórczości Anicy Bošković

Avangarda poslije avangarde u hrvatskoj poeziji

Bibliografia przekładów literatury chorwackiej w Polsce w 2016 roku

Causes and consequences of multilingualism in the contemporary Croatian literature

Podporządkowani jutra. Chorwacka proza dystopijna w ujęciu postkolonialnym

Krugowcy o Matošu

Život kao artefakt: Matoševo autorstvo. Povodom knjige Dubravke Oraić Tolić Čitanja Matoša

Miljenko Jergović w Polsce i o Polsce — na marginesie komentarza do powieści Wilimowski

Metamorfoza poprzez czytanie. Dwa chorwackie teksty przemiany

Dorta Jagić — poetka wolności. Komentarz do Bibliografii przekładów literatury chorwackiej w Polsce w 2014 roku

Literatura chorwacka i jej polscy ambasadorzy. Uwagi do bibliografii przekładów literatury chorwackiej w Polsce w latach 2007—2013