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EN
Nadskawie. A literary anthology, published in Bielsko-Biała in 1983, presents a selection of literary works of authors associated with the region of Wadowice. The anthology has been divided into three chapters. The first part introduces the literary achievements of the Czartak group, with the works of Emil Zegadłowicz in the lead. The second section presents four poems by Karol Wojtyła. The book concludes with the works of five authors from the Nadskawie literary group, which was founded in the summer of 1981, and ceased to exist in 1988. The aim of the article is to present the criteria by which poems have been selected and compiled into the anthology, and to present it as a testimony of a considerable literary output of Wadowice.
PL
Nadskawie. Antologia literacka, opublikowana w Bielsku-Białej w roku 1983, prezentuje wybór utworów literackich autorów związanych z regionem Wadowic. Antologia podzielona jest na trzy części. W części pierwszej przedstawiono literackie osiągnięcia grupy „Czartak”, zwłaszcza utwory Emila Zegadłowicza. W części drugiej znajdują się cztery wiersze Karola Wojtyły. Książkę wieńczą utwory pięciu autorów reprezentujących grupę literacką „Nadskawie”, istniejącą w latach 1981–1988. Celem artykułu jest przedstawienie kryteriów wyboru wierszy, które stały się częścią antologii, oraz przedstawienie samej antologii jako świadectwa spuścizny literackiej Wadowic.
EN
The article is about Janina Brzostowska (born in Wadowice in 1897) and her relationship with the artist Stanisław Ignacy Witkiewicz called Witkacy. I started from Witkacy’s cooperation with artistic group „Czartak”. Then I described the meeting Janina Brzostowska, who was the member of the „Czartak” group, with Witkacy in his mother’s house in Zakopane. A lot of memories were sent to me by Janina’s Brzostowska’s son who lives in the USA – Witold Brostow. My article touches period of time when Janina lived in Warsaw and worked in „Skawa” magazine (1938-1939). Witkacy wrote four articles to this magazine at that time, which means they had closer cooperation. There are three portrets of Brzostowska painted by Witkacy (one from 1929 and two from 1939). Witkacy’s paintings contains special markups, which indicates what substances author was under influence of, when working on them, for example: cofeine, alcohol, cigarettes and drugs. Actually, these paintings are in Texas – in Witold Brostow’s house. Janina Brzostowska belived that Witkacy was a very inteligent and individualistic person. She appreciated him as an artist and she understood his approach to art. At the end I quoted the poem „The Lord of the Darkness” which Brzostowska wrote in memory of Witkacy in 1945.
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