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Od děrných štítků ke Korpusu českého verše

100%
Říha J.
Česká literatura (Czech Literature)
|
2017
|
vol. 65
|
issue 1
108-117
EN
The present article focuses on determining the place of Květa Sgallová in the history of the post-war research on the Czech verse. Taking into account the latest Sgallová’s book, O českém verši [On Czech verse] (2015), her scholarly biography is drafted with a special emphasis on her efforts to use computational techniques in verse-theory research. The second part of the article deals with the current work of the Versification research group (Institute of Czech literature of the CAS) members, Petr Plecháč and Robert Kolár.
CS
Úvaha nad knihou Květy Sgallové O českém verši. Autor charakterizuje její postavení v poválečném výzkumu českého verše a vyzdvihuje její důraz na využítí počítačových metod. V druhé části se článek zabývá současnou prací členů versologického týmu ÚČL AV ČR, Petra Plecháče a Roberta Kolára.
2
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Počátkové českého básnictví a německá metrika : K proměnám českého verše v nadnárodním kontextu

51%
Dobiáš D.
Česká literatura (Czech Literature)
|
2012
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vol. 60
|
issue 3
355-367
EN
The work Počátkové českého básnictví, obzvláště prozódie (The principles of Czech verse, with special reference to prosody, 1818) by Pavel Josef Šafařík (1795-1861) and František Palacký (1798-1876) (and Jan Blahoslav Benedikti [1796-1847]) and its influence on early-nineteenth discussions about the character of Czech verse have till now usually been considered in the context of Czech (and Slovak) literature. By contrast, this article, after a characterization of the work, considers its relation to the German concepts of prosody and meter (Friedrich Gottlieb Klopstock, Gottfried Hermann, and Johann August Apel), and also to Josef Jungmann´s (1773-1847) no-longer extant Nepředsudné mínění o prozódii české (An impartial opinion on Czech prosody, 1804). This article explores Šafařík and Palacký´s treatment of those relationships. Although the authors of Počátové turned it only selectively, Hermann´s work appears to have been an important intellectual basis for Šafařík and Palacký´s endeavour to develop a complex delineation of modern Czech verse, which had much in common with the principles of music. In its conclusions, the article thus follows on from Miroslav Červenka´s later ideas that it would be useful to study the history of Czech verse in its European context, without detracting from what made Czech verse special.
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