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Milan Rastislav Štefánik a hlasistické hnutie

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Vrábel F.
Slovanský přehled: historická revue pro dějiny střední, východní a jihovýchodní Evropy (Slavonic Review: Review for Central, Eastern and Southeastern European history)
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2012
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vol. 98
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issue 1-2
29-48
EN
The essay analyses Milan Rastislav Štefánik's attitudes towards the political ideology movement of Hlasism, named after the Hlas magazine (1898–1904). The author compares memories of a significant literary historian and linguist Jozef Škultéty on M. R. Štefánik's standpoints as a student, scholar, soldier and politician with his activities and journalism. Škultéty, one of the leading representatives of a conservative nationalist centre in Martin, contradicted Štefánik's identification with the Hlasists; however, he completely disregarded his publishing activities between 1902 and 1903 and his lecturing and organizing activities in Detvan. In view of this, Štefánik's articles and reviews in the Hlas and Čas magazines such as Vystěhovalectví na Slovensku, Česko-slovenská jednota národní, Slovenská žurnalistika seem essential. Štefánik's undisputable support of the Hlasist movement can be proved by the fact that he took active part in propagating the Hlasist ideas in Detvan, an association of Slovak students in Prague, participated in editorial work connected with publishing a Hlas supplement (Umelecký Hlas) and distribution of the magazine. In his articles, Štefánik sharply criticized the Martin centre and its policy, while professing ideas of realism and principles propagated by the ideological leader of the Hlasists Vavro Šrobár with whom he kept friendship and exchanged letters even after his move abroad. Why Štefánik's affiliation with the Hlasists is disputed or even utterly rejected remains a question with such a clear demonstration of Štefánik's support to the Hlasist movement. In addition to political intentions spurred by an autonomist movement in the inter-war Slovakia, Štefánik's concern with natural sciences may offer a partial explanation. After his relatively early moving abroad, his contacts with the domestic circles weakened and he no longer concentrated on journalism concerned with the Slovaks' social issues.
2

LITERÁRNOESTETICKÉ NÁZORY ĽUDOVÍTA ŠTÚRA A DETVAN ANDREJA SLÁDKOVIČA

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Fülöpová M.
Slovenská literatúra (Slovak Literature)
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2021
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vol. 68
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issue 2
97 – 108
EN
The article investigates the relationship between literary aesthetic opinions of Ľudovít Štúr (1815 – 1856) presented in his lectures in the early 1840s and the poetics of Andrej Sládkovič’s (1820 – 1872) Detvan (1846, published in book form in 1853). The article offers an interpretation of the poem through the prism of the topics, motives and poetic devices that might suggest that Sládkovič was acquainted with Štúr’s theoretical work and consciously attempted at a realisation of Štúr’s idea of Slavic poetry. The reading presented in the article pinpoints the latent dramatic potential of Sládkovič’s poem that is coded in its performative elements. Discussing the poem as belonging to the genre of dramatic poetry is justified by such typological characteristics as a syncretism of its lyric and epic parts and an increased level of performativity. Detvan as a dramatic poem is discussed in the wider context of Sládkovič’s literary aesthetic views and those of his activities that are linked with dramatic art.
3

HRDINA V LYRICKO-EPICKEJ SKLADBE DETVAN V KONTEXTE DOBOVÉHO NACIONALIZMU

100%
Fülöpová M.
Slovenský národopis (Slovak Ethnology)
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2021
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vol. 69
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issue 1
100 - 115
EN
The analytical-interpretative study examines the depiction of literary characters in the lyrical-epic work Detvan written by Andrej Sládkovič. It interprets the ingenious system of relations between the Slovak nation represented by the main character Martin and King Matthias Corvinus. The study notes the shifts in meaning and symbolization of relationships in this work and reveals the influence of national ideology in the creation of characters and their relations. It proves that the relationship between the king and the main character is a poetic expression of the national program, and that the story line is determined by the Slovak auto-stereotype of a peaceful nation. The article was written on the occasion of the 200th anniversary of Andrej Sládkovič’s birth.
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