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PASKVIL, NEBO UMĚNÍ? NOVÝ DILETANTISMUS JAKO ZDROJ UNAVENÉHO PUBLIKA

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Lee L.
ESPES
|
2019
|
vol. 8
|
issue 1
37 – 46
EN
Education and the support for creativity are some of the functions of the new medias. The users utilize a lot of e-tools to create products with varying art quality. Because of this new ability to create they, fallaciously, consider themselves – from their new positions of becoming artists - having also become art critics but they fail to understand the complexity of creative process. We intend to exemplify with the art of the American painter Cy Twombly, that some works of art which seem to be easy to copy and therefore not worth enough are in fact a result of the author ́s erudition, talent, diligence and clear intention. Twombly ́s works are connected with topics such as sigh, ability to decipher, Apollonian and Dionysian principles and the dichotomy Eros/Thanatos. We will present the artist's original non-printable way of taking inspiration from classical mythological stories and some interpretative approaches (Barthes, Bird, Serra).
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Spor o diletantismus a jeho podoba v literatuře české dekadence

100%
Stanek J.
Estetika: The Central European Journal of Aesthetics
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2007
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vol. 44
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issue 1-4
85-106
EN
The article concentrates on a key concept of the 'Fin de Siecle' in Europe - namely, 'dilettantism' and its connection with Czech Decadent literature. Dilettantism, as explained by Paul Bourget in his essay on Ernest Renan (1883), is characterized by the individual's refusal to forego any possible experience by adhering to a setmode of (intellectual) life. The 'dilettante critic' originates in the idea of the 'critic as artist' as developed by Oscar Wilde, who in turn is indebted to Pater's conception of the 'aesthetic critic'. In dilettantism there are many pitfalls: the dilettante may be the perfect embodiment of the 'Decadent' type with his Willenskrankheit, hypertrophied (self-)analysis, over-refinement, hyper-aestheticism, eclecticism, and sterility. Arnost Prochazka (1869-1925), for instance, applies the term 'dilettante' to Andrea Sperelli (the hero of Dilettantism), modelled on Huysmans's 'Des Esseintes'. The controversies over Dilettantism appear here as an expression of an exclusive concern with 'life', a concept that a cornerstone of philosophical debate of the period.
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