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REŽIJNÁ POETIKA ONDREJA SPIŠÁKA

100%
Ballay M.
Slovenské divadlo (Slovak Theatre)
|
2013
|
vol. 61
|
issue 2
135 - 151
EN
In his general overview, the author summarizes the specifics of poetics of Slovak award winning theatre director Ondrej Spišák (1964) in the context of expressive modalities of his work as well as distinctive features of his theatrical and directorial work. The holistic approach to Spišák’s directorial work allows the author to some extent generalization of certain characteristic features of the artist’s work although the study is not a full portrait of the director O. Spišák. On the basis of short analyses of selected productions, the author points to the apparently dominant constructional and compositional elements of his stage work. Gradually, he specifically identifies the means used by the director to create a theatrical designatum, which undoubtedly become the basis for unique creation of particular parameters of receptions, effects on the viewer.
2

Dzieciobójstwo jako wyzwanie dla dramatu

88%
Karamucka M.
Classica Wratislaviensia
|
2011
|
vol. 31
21-40
EN
The article aims to examine how the motif of killing a child by one of his parents, regardless of the age of victim (abortion is however excluded from this analysis), functions in dramatic works (practicurally in tragedies) and why it can by treated as a special challenge to present this deed in mentioned type of literature. The analysis bases on the selected dramas — especially the Medea by Euripides. Many other characters noted derive also from the ancient Greek-Roman literature, that often refers to the mythology. At the end is also investigated, why Medea, though the motif of the killing own children is repellent and often not easy be presented, appears continuously in literature (not only in dramatic works).
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