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EN
The main aim of this paper is to explain the nature of the maker of this cosmos, the demiurge, as presented by Plato in his Timaeus. In the first chapter, the reasons for Plato’s use of the demiurgic scheme are stated and it is explained why the maker needs to be understood as distinct from its product. The following chapter deals with the actual making of the world and with the related question of likening the world to something. It is first argued that in certain respects the world is being likened to the demiurge himself and this thesis consequently leads to a further inquiry into his nature. Since the demiurge’s most important characteristic is his possession of νοῦς, the text proceeds to an analysis of this concept and its relationship to the soul. In accordance with the results of this inquiry, the demiurge is interpreted as a primordial non-bodily, non-ensouled, yet alive and intelligent deity who is a very peculiar part of the realm of eternal beings. The final chapter deals with the closely related question of the model which the demiurge looks to when creating the world. It distinguishes between holistic and non-holistic readings of the model and presents arguments in favour of the latter.
Peitho. Examina Antiqua
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2020
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vol. 11
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issue 1
185-194
EN
In reconstructing the conceptual universe of Jonas’s philosophy, a privi­leged place can, or indeed must, be reserved for his relationship with the classical heritage. More specifically, a crucial role is played by Plato, especially because, as Jonas strongly underlines, “with Plato (...) you have to go back a much greater distance to make him applicable to the present. But of course Plato is the greater one, the one we have to study again and again from scratch, the one we must discover (...). With Plato, you’re never finished, that’s the great foundation for all of Western philosophy”. In the light of this premise, this article will focus on the highly original use made in Jonas’s Der Gottesbegriff nach Auschwitz of the Platonic heritage, associated with the mythical figure of the Demi­urge in the Timaeus.
Peitho. Examina Antiqua
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2019
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vol. 10
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issue 1
113-132
EN
The present paper focuses on some aspects of the Neoplatonist literary-metaphysical theory, which has clearly been expressed in the anony­mous Prolegomena to Plato’s philosophy and further confirmed in Proclus’ exegesis of the Timaeus. Thus, this contribution, examines and compares several passages from the Prolegomena and from Proclus’ Commentary on the Timaeus with a view to showing that it is legiti­mate to speak of a certain cosmogony of the Platonic dialogue that is analogous to that of the macrocosm. Moreover, the analogy between macrocosm and microcosm makes it possible to further investigate the similarity between the λόγος-ζῷον of the Demiurge and that of Timaeus, on the one hand, and the reality which the λόγος expresses, on the other. This similarity turns out to be both structural/morphological and content-related/semantic. Thus, by combining the natural and theo­logical science, the analysis of the “generation” of the macrocosm and microcosm brings out the strongly analogical nature of Plato’s dialogues, which is particularly visible in the Timaeus.
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