Tematem niniejszego artykułu jest formacja organisty w diecezji koszalińsko-kołobrzeskiej w świetle przepisów kościelnych dotyczących tej kwestii. Autor postawił sobie za zadanie zaprezentować przepisy dotyczące przygotowania i posługi organisty oraz przykłady wprowadzenia ich w życie, m.in. przez założenie Diecezjalnego Studium Organistowskiego. Dla bardziej wnikliwego przebadania tej kwestii autor ułożył ankietę, na podstawie której w latach 2010/2011 zostały przeprowadzone badania w celu uzyskania bardziej szczegółowych informacji na temat pracy organisty. Autor żywi nadzieję, że podjęcie tematu formacji organisty przyczyni się do podniesienia poziomu i usunięcia ewentualnych nadużyć czy braków w tym względzie w diecezji koszalińsko-kołobrzeskiej.
EN
The subject of this article is an organist’s formation in the Diocese of Koszalin-Kołobrzeg in the light of the law concerning this issue. The attempt is to present the diocese rules concerning the organists’ preparation and their ministry. Moreover, there are some examples that show the practical realization of these rules ( for example through the establishing of the Diocesan Study Centre for Organists) To reach this aim, questionnaires were framed to make possible to collect information about the ministry and formation of an organist in the Diocese of Koszalin-Kołobrzeg. The questionnaire was conducted in 2010/2011 among parish priests and organists. The author of this article hopes that the undertaken topic of an organists’ formation be, at least to some extent, helpful to better the organists’ qualifications and exclude, if necessary, all misuses or deficiency.
The article refers to the Priest, who for the significant majority of Tarnovian clergy remained, in the post-concilliar liturgy, a sacral music “icon”. His sense of humour combined with the extraordinary musical competences helped him to win the favour of the people he encountered throughout his life. Those who had a chance to get to know him better, could clearly see how deeply rooted in his faith of the Crucified Jesus he was. The first part of the article shows Father’s both spiritual and intellectual growth since his early years of the childhood, whereas the second concentrates on his being a teacher. The Priest was a lecturer of the Tarnovian Theological Seminary and the Diocesan Organ Study in Tarnow, as well as a director of the Music Church Department in the Tarnovian Curia. Despite all his duties and the responsibilities he was taking on, he still managed to find time for being an editor and a composer of religious music. That field of his work was closely related to the Catholic Church post – concilliar reforms, which have been described in the second part of the paper.
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